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Arthur White and MERGE: When You Find It

by Jim Worsley
The spirited yet soft and melodious title track, When You Find It," creates an early atmospheric vibe that sets the tone for what is to follow. Arthur White wastes no time in establishing his saxophone dynamics, while leaving pianist Ken Kenner a lot of room for a creative run against the understated and nourishing rhythm section ...
Los Angeles Jazz Quartet: Live at Jazz nad Odra

by Jim Worsley
In honor of their twenty-fifth anniversary, Los Angeles Jazz Quartet took the stage in Wroclaw, Poland to perform at the Jazz at Odra Festival. This recording is documentation that they know how to celebrate in style. Five originals and two reimagined classics were powerfully and charismatically presented to an attentive and appreciative audience by bassist Darek ...
Steve Khan: A Rich Discography and A Priceless Left Hand

by Jim Worsley
The life and times of guitarist extraordinaire Steve Khan stretch through a high volume of evolving chapters that fuse together like the passages of a finely crafted arrangement. An expansive conversation with Khan touched on a variety of memories. Still, this is perhaps the Reader's Digest version of the seventy-three years old musician and composer's remarkable ...
Fredrik Lindborg: Fredrik Lindborg: A Swedish Portrait

by Jim Worsley
A time capsule is opened carefully, and its contents are respectively honored and revered. This is the purposeful and respectful sensation revealed on Fredrik Lindborg's faithful homage to the music of Swedish baritone sax legend Lars Gullin. While the arrangements are new, and at times brilliant, the creativity and ambitions of Gullin are richly intact.
Peter Hess Quartet: Present Company

by Jim Worsley
What word to say first, refreshing or wow? Perhaps, wow, this is refreshing! With the assorted amount of experimental jazz that often needed more time in the lab, that is an assault on the unsuspecting ear, the Peter Hess Quartet have concocted their own penicillin. No longer lab rats, minds can be allowed to thrive and ...
Clivia Tanisi: Love's Way Back

by Jim Worsley
It wasn't so much about Learning How to Fly," as the opening track has it, as it was apparent that Clivia Tanisi still knew how to navigate in space. Tanisi took a twenty-year sabbatical to be a mom and raise her children. Singing proved to be like riding a bike, as she grooved into her lane, ...
EHA: Paris Rio New York

by Jim Worsley
French guitarist's Philippe Coignet's new ensemble recording is like that of a well-rooted tree with many powerful branches reaching out uniquely, but collectively connecting back to its inner core. EHA (pronounced as a long A-ha) is comprised of a five-part nucleus with several worldly guest stars. In addition to Coignet, the quintet features fellow Frenchman Damien ...
Darek Oleszkiewicz: The Promise

by Jim Worsley
As much as John Coltrane left us, blessedly, with a bounty of notes, he also captured a bevy of moods within his artform. While there is much freedom of artistry, and hence note selection, in bassist Darek Oleszkiewicz's solo tribute to Trane, it is the latter that sets this Coltrane adventure apart. That and some virtuosic ...
Jazzagenturen: The Stockholm Corona Sessions Volume One

by Jim Worsley
The Swedish jazz collective Jazzagenturen, founded by Pontus de Wolfe, reached deep into its collective soul and stood up to the downsides of the Covid-19 coronavirus early on. This large ensemble entered a studio on April 2nd. Twelve hours later they emerged having recorded fifty songs. The Stockholm Corona Sessions are being released in five volumes, ...
Catalina Jazz Club: Landmark Jazz Haven Forges Onward

by Jim Worsley
While west-coasters long to go to the Blue Note in New York City, east-coasters have their sights set on the Catalina Jazz Club in Hollywood. The family-owned and operated jazz hot spot has seen and heard from all the jazz legends over the past thirty-four years. The supper club has fine dining and even finer up ...