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Jim Rotondi: Dark Blue
by C. Andrew Hovan
Back in 1997 when Introducing Jim Rotondi announced that a major new trumpeter star was on the ascent, few could have predicted how important and prolific Rotondi would become to the mainstream landscape. A foremost stylist in the lineage of Freddie Hubbard and Wood Shaw, Rotondi quickly proved he had absorbed the legacy, only to jettison ...
Buenos Aires Jazz.15 International Festival
by Mark Holston
Buenos Aires Jazz.15 International Festival Buenos Aires, Argentina November 10-15, 2015 Imagine opening the pages of a major daily newspaper, turning to the Op-Ed section and seeing, prominently placed amidst the usual commentaries on politics and international crises, a tome to the recently deceased jazz singer and composer Mark Murphy. Sound like ...
Jazz In Buenos Aires: Fresh Breezes From The South
by Mark Holston
Galería Apolo is one of many 1950s-style shopping arcades that flank Avenida Corrientes, the gaudy, pedestrian-packed “Broadway" of Argentina's cosmopolitan and bustling capital city. A dimly lit galería, it's the kind of one-stop-shopping destination where tiny specialty shops sell everything from comic books to costume jewelry and a visitor can get a watch repaired or satisfy ...
Jim Rotondi: 'At the Bird's Eye'
Back in the '70s, soul-jazz albums featuring a tight trumpeter and saxophonist backed by a deep groove organist and persistent drummer. Prestige Records probably turned out more recording of that genre than most other lables—with organists like Don Patterson, Charles Earland, Richard “Groove" Holmes, Brother Jack McDuff and Leon Spencer Jr. The front line often featured ...
Westchester Jazz Orchestra: Maiden Voyage Suite
by Nicholas F. Mondello
Imagine a painter, sculptor or writer attempting to recreate a masterpiece done by a Picasso, Michelangelo or Shakespeare. The task redefines challenge and chutzpah. While jazz recreations are more common than those in other arts--Clark Terry and the Chicago Jazz Orchestra's marvelous revisit (Americana Music, 2004) of the Miles Davis/Gil Evans' Porgy and Bess (Columbia, 1958), ...
Westchester Jazz Orchestra / Sandvika Storband / Band of Bones
by Jack Bowers
Westchester Jazz OrchestraMaiden Voyage Suite WJO2010 The heavy-hitting Westchester Jazz Orchestra, one of whose ambitions under artistic director Mike Holober is to broaden its musical horizons, devotes its second album to renovating for a sixteen-member ensemble the music of pianist Herbie Hancock's classic recording Maiden Voyage (Blue Note, ...
A Jazz Marriage: Smoke and One For All
by Nick Catalano
After 12 years of classic jazz bookings and extraordinary patron loyalty, Smoke deserves legendary status right next to Birdland (the old club of the 50's), Basin Street, The Village Vanguard, The Blue Note, and a couple of the old 52 St. clubs. In addition to having unique intimacy, a special staff who could give a seminar ...
Jared Gold: All Wrapped Up
by Bruce Lindsay
Jared Gold's fourth album as leader, All Wrapped Up, finds fresh faces joining the organist as he releases his first recording without a guitarist. This is also Gold's first all-originals album--although he shares the writing credits with his band mates, who each contribute a tune. The new lineup and new tunes ensure that this album, and ...
Jared Gold: All Wrapped Up
by Dan Bilawsky
There's a noticeable change in organist Jared Gold's sonic template of choice, before All Wrapped Up even begins. While two out of Gold's three prior releases were quartet outings that used saxophone as the lone horn voice, all three releases were rooted in the traditional organ trio instrumental format. A different guitarist graced each one of ...
Posi-Tone Records: Creating a New Iconic Catalogue
by John Patten
When Posi-Tone Records founder Marc Free was growing up, he looked forward to each new record purchase, cherishing the cover artwork, devouring the liner notes and most of all, feasting on the music. He came to love the music and albums issued by iconic labels such as Blue Note and Impulse!, knowing that even if he ...
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