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Jay Leonhart: Joy
by Angelo Leonardi
Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite ...
Your Brain on Frets and More
by Marc Cohn
Lots of guitar this week: John Scofield with Bill Frisell, Jim Hall, Pat Martino, Tiny Grimes, Kevin Eubanks with Dave Holland, Bill Jennings (an influence on B.B. King), and Paul Bollenback with Jim Snidero. We also have a couple of tracks from the currently unavailable Fred Hersch—Esperanza Spalding duo set live at the Village Vanguard (a ...
Steve Khan: A Rich Discography and A Priceless Left Hand
by Jim Worsley
The life and times of guitarist extraordinaire Steve Khan stretch through a high volume of evolving chapters that fuse together like the passages of a finely crafted arrangement. An expansive conversation with Khan touched on a variety of memories. Still, this is perhaps the Reader's Digest version of the seventy-three years old musician and composer's remarkable ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Bill Stewart Interview
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
Jacob Young: On ECM, founding a label and finding the "drama" in the music
by Friedrich Kunzmann
There's a lot to be said about musical excellence in versatility when it comes to guitarist Jacob Young. The Norwegian fret-acrobat came to international prominence in the early 2000s, when ECM's Manfred Eicher detected his remarkable chops and subsequently recorded and released Young's debut Evening Falls (2004) for the prestigious German label. Two more sessions followed ...
Take Five with Markus Rutz
by AAJ Staff
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, composer ...
