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Mark Sherman: The Motive Series
by John Kelman
The vibraphone is surely the most difficult instrument to introduce to a jam session, if for no other reason than its sheer lack of portability. Sure, pianos and drums are tough to cart around, but many clubs have a house piano. And if a group is playing in a club, you can be fairly certain there'll ...
Charles Mingus: Tonight at Noon
by Joel Roberts
A valuable reissue for Mingus fans, Tonight at Noon compiles five tunes originally recorded for two of the great bassist's most important album's, 1957's The Clown and 1961's Oh Yeah. Though the two sessions cover somewhat different stylistic ground, they blend together seamlessly and amount to much more than a haphazard assemblage of dusty outtakes. The ...
Richie Hart: Blues in the Alley
by John Kelman
With a blues-soaked sensibility and strong rhythmic drive, guitarist Richie Hart's Blues in the Alley is aptly named, given his propensity for blues form and feel. But that doesn't mean that the record is anything approaching monotonous, as Hart and his trio companions, bassist Rick Petrone and percussionist Joe Corsello, explore everything from the swing blues ...
Richie Hart: Blues In The Alley
by Jim Santella
Richie Hart leads a stellar band that captures the classic guitar/organ combo sound accurately with a swinging groove. His original compositions ensure that jazz and blues will find a comfortable seat every time his unit takes the stage. With his trio, Hart interprets “Sandu" in a classic repose. His guitar brings back the song's ...
Matthias Lupri: Shadow of the Vibe
by John Kelman
While vibraphonist Matthias Lupri is a relative newcomer to his chosen instrument he has managed, in the space of only few short years, to emerge as an artist who is garnering increasing respect, not only as a player, but as a writer as well. With four albums under his belt, including the recently-released Transition Sonic, Lupri ...
Greg Skaff: Ellington Boulevard
by John Kelman
Recording studios can be cold and uninviting places. Without the ambience of a live room and an eager audience, some artists are challenged to capture the fire and the energy that results from the feedback of a receptive group of listeners. As wonderful as many studio recordings are, they don't always succeed in portraying what the ...
Dom Minasi: Quick Response
by Jim Santella
From jazz's modern mainstream comes “Quick Response," with its soulful organ groove and hip melodic lines. Guitarist Dom Minasi prefers that his title track move fast and furious; and he backs up that wish with positive results. The leader's fiery guitar breaks loose with an articulate fusillade that numbs the senses. A native New ...
Bob Dorough: Sunday At Iridium
by Jim Santella
Bob Dorough brings his quartet to the Iridium Jazz Club every Sunday for brunch. This live session gives those of us who live outside of New York City the opportunity to experience his charming manner. His cohesive quartet allows Dorough to summarize his career effectively. Dorough, 80, sounds better today than he did when he started ...
Carol Mennie: I'm Not A Sometime Thing
by Jim Santella
The album's title track leaves little doubt that Carol Mennie represents a unique voice in jazz and blues. Her passionate interpretation comes from deep down inside as she travels the spectrum of emotional outpouring. She and her husband, guitarist Dom Minasi, have found a way to express classic standards and fresh originals from a different point ...
Negroni's Trio: Piano/Drums/Bass
by Jim Santella
Forging ahead with his exciting contemporary jazz celebration, pianist José Negroni sparkles with unrestrained passion. His forceful keyboard work brings each interpretation into view head-on, with no holds barred. The trio's “take no prisoners" physicality gives its audience a highly rhythmic affair with unbridled powers of persuasion. Negroni, with his son Nomar at the drums and ...
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