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383

Article: Album Review

John Burnett Swing Orchestra: West of State Street/East of Harlem

Read "West of State Street/East of Harlem" reviewed by Jerry D'Souza


The John Burnett Orchestra specializes in forties style big band swing. That is a comfortable zone to be in with the calibre of musicians that Burnett has in his band. They conceptualize the music of the period perfectly, playing with both warmth and verve. What makes it all the more appealing is the deep emotion and ...

325

Article: Album Review

Michael Marcus: Lotus Symphony

Read "Lotus Symphony" reviewed by Jerry D'Souza


Michael Marcus is a multi-instrumentalist who has shown mettle on the manzello, the stritch, the saxello, as well as the alto, baritone and soprano saxophones and the clarinet. He has recently been gravitating towards the clarinet and has played solely on the Bb clarinet on Golden Atoms (Soul Note, 2008) and here on Lotus Symphony.

213

Article: Album Review

Paul Bley Quintet: Barrage

Read "Barrage" reviewed by Jerry D'Souza


Pianist Paul Bley recorded two albums for ESP Disk. The first was Barrage in 1964, the second was Closer in 1965. On the first Bley used Marshall Allen (alto sax), Dewey Johnson (trumpet), Eddie Gomez (bass) and Milford Graves (percussion). The latter was a more intimate outing with Steve Swallow (bass) and Barry Altschul (percussion). If ...

300

Article: Album Review

Actis Furioso - 2: World People

Read "World People" reviewed by Jerry D'Souza


Carlo Actis Dato is a restless spirit. The composer, arranger and virtuoso of the baritone saxophone and bass clarinet is a traveler who picks up music and all of its nuances from different parts of the world. He brings this to bear in his compositions as he adds his unique vision and imagination to open a ...

457

Article: Album Review

Tom Beckham: Rebound

Read "Rebound" reviewed by Jerry D'Souza


Tom Beckham has a refreshing approach to the vibraphone. He plays it with a gentle ear for harmony and development, with ideas that are wrapped in crystalline notes. Beckham resides in New York where he teaches and plays. The latter has seen him as part of bands led by Michael Musillami and Sam Bardfield as well ...

248

Article: Album Review

Todd Coolman: Perfect Strangers

Read "Perfect Strangers" reviewed by Jerry D'Souza


A little bit of imagination is a good thing. Bassist Todd Coolman thought “outside the box" and came up with the idea of soliciting compositions from the public. He chose seven tunes which make up the program for the aptly titled Perfect Strangers. Hopefully, the voices that are heard here through Coolman, Eric Alexander (tenor saxophone), ...

193

Article: Album Review

Gunter Hampel Group: Music From Europe

Read "Music From Europe" reviewed by Jerry D'Souza


Gunter Hampel (vibraphone, bass clarinet and flute) grew up studying German folk and European classical music. When he was eight he heard Louis Armstrong and jazz for the first time. Though he did not understand a word of English, he felt Armstrong communicating with him. This had an indelible influence and Hampel went on ...

173

Article: Album Review

Ruslan Khain Sextet: Tie It In!

Read "Tie It In!" reviewed by Jerry D'Souza


Count Basie and Duke Ellington are among the musicians who drew bassist Ruslan Khain to jazz.  Their influence is manifested in his music, as he graces his compositions with melody and swing, and keeps an ear open for rhythm and harmony.  This is the stuff that good, solid mainstream jazz is all about, and ...

208

Article: Album Review

Karel Velebny: SHQ

Read "SHQ" reviewed by Jerry D'Souza


Multi-instrumentalist Karel Velebny was known as the father of modern jazz in the former Czechoslovakia. Besides playing the tenor sax, bass clarinet and vibes, he was also a composer, arranger, teacher, and the leader of Studio 5: one of the leading bands in the 60's. He died in 1989. For the most ...

190

Article: Album Review

Renaud Garcia-Fons Trio: Arcoluz

Read "Arcoluz" reviewed by Jerry D'Souza


Renaud Garcia-Fons brings a rare passion and understanding to the bass. His approach is pure genius, seen in the way he styles his pizzicato and in the manner he opens the arco to encompass melodic and improvisatory richness. Garcia-Fons began playing the bass when he was 16, gravitating to the instrument from ...


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