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219

Article: Album Review

Gebhard Ullmann Basement Research: Don't Touch My Music Vol. 2

Read "Don't Touch My Music Vol. 2" reviewed by Jerry D'Souza


When Gebhard Ullmann took his Basement Research into Krakow 's Alchemia Club to celebrate his 50th birthday, he recorded two sets of music. The first was released as Don't Touch My Music, Vol. 1. Like the first, this second set is unedited and unchanged, and shows just how intuitive and empathic the band is. Ullmann's compositions ...

173

Article: Album Review

Jurgen Friedrich: Pollock

Read "Pollock" reviewed by Jerry D'Souza


Pianist Jürgen Friedrich, bassist John Hebert and drummer Tony Moreno banded together in 1998 when Friedrich, who was on a visit to the United States, met the other two at a jam session. The empathy between them was instant and they decided to team up. They hit the road, creating an ambience that was snug in ...

228

Article: Album Review

Nicolas Thys: Virgo

Read "Virgo" reviewed by Jerry D'Souza


Nicolas Thys settled down to play the acoustic bass after transitioning through the piano, flute and electric bass. After his academic days, he spent eight years in New York City, where he integrated into the jazz community and set up a long line of collaborations before moving back to Europe. The Belgian native has played with ...

337

Article: Album Review

Henning Sieverts Symmetry: Blackbird

Read "Blackbird" reviewed by Jerry D'Souza


The Beatles are given the dominant spot on Blackbird, but most of the music comes here from bassist/cellist Henning Sieverts. Sieverts--who has a long history of composition, having written for string ensembles, the theater, and groups of various size--locks in jazz and classical music, both in their individual frames and in an elegant blend, making for ...

284

Article: Album Review

Pablo Held: Forest Of Oblivion

Read "Forest Of Oblivion" reviewed by Jerry D'Souza


Pianist Pablo Held showed early promise by winning three Young Jazz Musician competitions in Germany, the first when he was just 13. He then went into august company playing with the WDR Big Band and trumpeter Manfred Schoof. On Forest of Oblivion, his first as a leader, Held shows just why he has been such a ...

229

Article: Album Review

Warren Smith: Old News Borrowed Blues

Read "Old News Borrowed Blues" reviewed by Jerry D'Souza


Warren Smith (drums, vibraphone, percussion) does not have a deep discography as a leader, and so any recording by him is most welcome. All the music on this CD has been performed live but never released, and the wait makes hearing it all the sweeter. Though his work as leader has been thin, Smith ...

509

Article: Album Review

Krzysztof Popek: Estate

Read "Estate" reviewed by Jerry D'Souza


Alto flautist Krzysztof Popek gives his music another vantage point with Estate. From Poland, Popek has long been part of a very fertile and evolving turf that included Michal Urbaniak, Tomasz Stanko and Jaroslaw Smietana. It was in this environment that Popek established himself as the leading flautist of the country. But boundaries dissolve with the ...

295

Article: Album Review

Matt Newton: PUSH

Read "PUSH" reviewed by Jerry D'Souza


Toronto, Canada-based pianist Matt Newton comes up with a convincing performance on his debut, PUSH. Born in Ottawa, Newton started on classical music before he moved to jazz. After his education, he began playing gigs at clubs and at the jazz festivals in Toronto and in Ottawa, appearing as a sideman on two CDs. With that ...

204

Article: Album Review

Gato Barbieri: In Search of the Mystery

Read "In Search of the Mystery" reviewed by Jerry D'Souza


Leandro “Gato" Barbieri has traversed a wide range of musical styles over his career. His earliest recordings counted Don Cherry, Abdullah Ibrahim and Roswell Rudd as collaborators. He was quick to settle into the avant-garde before exploring South American music. He later went on to play pop fanned tunes and disco music. Fortunately these commercialized transgressions ...

153

Article: Album Review

3 Play+: American Waltz

Read "American Waltz" reviewed by Jerry D'Souza


The music of a band is determined by its players. 3 Play+ assimilates its diverse influences to bring about a confluent whole. The music scopes a wide panorama, from lilting waltz to startlingly fractured-time piece. Each track is a miniature encapsulation of its innovation, an inspired journey into the known and the unexpected. 3 Play+ is ...


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