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Gebhard Ullmann Basement Research: Don't Touch My Music Vol. 2
by Jerry D'Souza
When Gebhard Ullmann took his Basement Research into Krakow 's Alchemia Club to celebrate his 50th birthday, he recorded two sets of music. The first was released as Don't Touch My Music, Vol. 1. Like the first, this second set is unedited and unchanged, and shows just how intuitive and empathic the band is. Ullmann's compositions ...
Jurgen Friedrich: Pollock
by Jerry D'Souza
Pianist Jürgen Friedrich, bassist John Hebert and drummer Tony Moreno banded together in 1998 when Friedrich, who was on a visit to the United States, met the other two at a jam session. The empathy between them was instant and they decided to team up. They hit the road, creating an ambience that was snug in ...
Nicolas Thys: Virgo
by Jerry D'Souza
Nicolas Thys settled down to play the acoustic bass after transitioning through the piano, flute and electric bass. After his academic days, he spent eight years in New York City, where he integrated into the jazz community and set up a long line of collaborations before moving back to Europe. The Belgian native has played with ...
Henning Sieverts Symmetry: Blackbird
by Jerry D'Souza
The Beatles are given the dominant spot on Blackbird, but most of the music comes here from bassist/cellist Henning Sieverts. Sieverts--who has a long history of composition, having written for string ensembles, the theater, and groups of various size--locks in jazz and classical music, both in their individual frames and in an elegant blend, making for ...
Pablo Held: Forest Of Oblivion
by Jerry D'Souza
Pianist Pablo Held showed early promise by winning three Young Jazz Musician competitions in Germany, the first when he was just 13. He then went into august company playing with the WDR Big Band and trumpeter Manfred Schoof. On Forest of Oblivion, his first as a leader, Held shows just why he has been such a ...
Warren Smith: Old News Borrowed Blues
by Jerry D'Souza
Warren Smith (drums, vibraphone, percussion) does not have a deep discography as a leader, and so any recording by him is most welcome. All the music on this CD has been performed live but never released, and the wait makes hearing it all the sweeter. Though his work as leader has been thin, Smith ...
Krzysztof Popek: Estate
by Jerry D'Souza
Alto flautist Krzysztof Popek gives his music another vantage point with Estate. From Poland, Popek has long been part of a very fertile and evolving turf that included Michal Urbaniak, Tomasz Stanko and Jaroslaw Smietana. It was in this environment that Popek established himself as the leading flautist of the country. But boundaries dissolve with the ...
Matt Newton: PUSH
by Jerry D'Souza
Toronto, Canada-based pianist Matt Newton comes up with a convincing performance on his debut, PUSH. Born in Ottawa, Newton started on classical music before he moved to jazz. After his education, he began playing gigs at clubs and at the jazz festivals in Toronto and in Ottawa, appearing as a sideman on two CDs. With that ...
Gato Barbieri: In Search of the Mystery
by Jerry D'Souza
Leandro Gato" Barbieri has traversed a wide range of musical styles over his career. His earliest recordings counted Don Cherry, Abdullah Ibrahim and Roswell Rudd as collaborators. He was quick to settle into the avant-garde before exploring South American music. He later went on to play pop fanned tunes and disco music. Fortunately these commercialized transgressions ...
3 Play+: American Waltz
by Jerry D'Souza
The music of a band is determined by its players. 3 Play+ assimilates its diverse influences to bring about a confluent whole. The music scopes a wide panorama, from lilting waltz to startlingly fractured-time piece. Each track is a miniature encapsulation of its innovation, an inspired journey into the known and the unexpected. 3 Play+ is ...





