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Jerome Richardson
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Jerome Richardson's ability to double on a number of instruments in the reed/woodwind family kept him in steady employment for half a century. A first-call reed player in New York and Hollywood, Richardson's work on saxophones and flute have enhanced literally thousands of recording sessions. Always a very valuable musician to have on a session, he excelled on tenor, alto, flute, baritone, and soprano, as if each one were his main instrument. He tended to be underrated or passed over because he was a studio musician who was often mostly in the ensembles, but Richardson was a fine soloist too
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
50 Years at the Village Vanguard: Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra
by C. Andrew Hovan
50 Years at the Village Vanguard: Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra Dave Lisik and Eric Allen 316 Pages ISBN: #9780692808580 SkyDeck 2017 During the heydays of the big bands, people swooned and jitterbugged to the swinging sounds of these large ensembles. Names like Count Basie, ...
Thad Jones-Mel Lewis Orchestra: All My Yesterdays
by Angelo Leonardi
La Resonance Records ha appena pubblicato (in un lussuoso cofanetto di due CD più un libro di 92 pagine), le primissime incisioni della Thad Jones-Mel Lewis Orchestra, riprese al Village Vanguard il 7 febbraio e il 21 marzo 1966. Sono trascorsi 50 anni dalla nascita della formazione e, agli inizi di febbraio, lo storico ...
Dr. Dre: Straight Outta Compton
by Solomon J. LeFlore
I read a headline today in Daily Variety (motion picture industry magazine) that said: “Straight Outta Compton chronicles the origins and history of N.W.A. ("Niggaz With Attitude"), arguably the most influential hip hop group in the history of American music. The title is taken from the title of their 1988 debut studio album, and it is ...
Quincy Jones: An Evening With A Legend
by Solomon J. LeFlore
I love jazz! I love everything about it... the improvisation, syncopation, the forceful rhythm, and the fact that it is truly America's original art form. Its unique and innovative use of brass and woodwind instruments and the piano is jazz. And, it is as American as apple pie. Ask 100 different people “What is ...
Ricordiamo Gerald Wilson
by Angelo Leonardi
Era rimasto l'unico grande bandleader della Swing Era, Gerald Wilson, e la sua recente scomparsa (l'8 settembre scorso, a 96 anni) è stata ricordata dai principali media statunitensi con ampi necrologi. Purtroppo in Italia è rimasta quasi inosservata. Superato il picco di popolarità dei primi anni sessanta, con un orchestra che vinse prestigiosi referendum, Wilson ebbe ...
Antonio Carlos Jobim: Wave
by Chris May
Antonio Carlos JobimWaveCTI/A&M1967 Singer, guitarist, pianist and--above all--composer Antonio Carlos Jobim was among the first artists to be signed by producer Creed Taylor when he set up CTI Records in 1967. The Brazilian, who helped launch bossa nova internationally when his tune “Desafinado" became a Top 10 ...
Russ Kassoff: Bird Fly By
by Jack Bowers
Bird Fly By opens, appropriately enough, with Russ Kassoff's unaccompanied piano establishing an easygoing vibe on Gus Kahn / Walter Donaldson's flapper-era standard, “Yes, Sir, That's My Baby." He's soon joined by bassist Jay Anderson and drummer Dennis Mackrel for a groovy romp that's all but certain to leave the listener smiling. Listening to that prefatory ...
Take Five With Andy Farber
by AAJ Staff
Meet Andy Farber:Andy Farber is an award-winning jazz composer, arranger and saxophonist and has spent years performing with the likes of Jon Hendricks and Wynton Marsalis. Since 1994, Farber has been part of the Jazz @ Lincoln Center stable of writers and performers. Through J@LC, Farber has toured with the J@LC ...
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