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Musician

Jerome Cooper

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Article: Album Review

Cecil Taylor: Live at Fat Tuesday's February 10, 1980

Read "Live at Fat Tuesday's February 10, 1980" reviewed by Giuseppe Segala

by Giuseppe Segala

Nella collana First Visit di ezz-thetics, dedicata a registrazioni storiche rimaste inedite fino a ora, l'etichetta svizzera Hat Hut Records pubblica il terzo CD di Live at Fat Tuesday's, completando così la documentazione degli straordinari concerti che videro impegnato il sestetto Unit di Cecil Taylor a New York dall'8 al 10 febbraio 1980. Come ...

Album

Live at Fat Tuesday's February 10, 1980

By Cecil Taylor

Label: Ezz-thetics
Released: 2024
Track listing: February 10, 1980 I; February 10, 1980 II; February 10, 1980, III, February 10,1980 IV; February 10, 1980 V.

Album

Live At Fat Tuesday's February 9, 1980 First Visit

By Cecil Taylor

Label: Ezz-thetics
Released: 2024
Track listing: February 9, 1980 I; February 9, 1980 II; February 9, 1980 III.

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Article: Album Review

Cecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit

Read "Live At Fat Tuesday's February 9, 1980 First Visit" reviewed by Giuseppe Segala

by Giuseppe Segala

Nel periodo di passaggio tra gli anni Settanta e Ottanta, Cecil Taylor è stato oggetto di numerose attenzioni da parte di etichette europee, che ne hanno lodevolmente documentato esibizioni dal vivo assai significative. Tra queste, alcune presentano la formazione Unit in differenti organici strumentali, che esprimono con dovizia un momento di impeto formidabile e di incredibile ...

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Article: Album Review

Cecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit

Read "Live At Fat Tuesday's February 9, 1980 First Visit" reviewed by John Eyles

by John Eyles

For some years, Werner X. Uehlinger's Ezz-thetics label has been bringing smiles to the faces of countless lovers of free jazz by re-releasing albums featuring such luminaries as Albert Ayler, John Coltrane, Bill Evans, Jimmy Giuffre, Sun Ra, Cecil Taylor (to name but a few of many) all with state-of-the-art sound quality. The label's distinctive orange ...

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Article: Album Review

William Parker: Universal Tonality

Read "Universal Tonality" reviewed by John Sharpe

by John Sharpe

Bassist William Parker has originated a personal philosophy which he calls Universal Tonality. He expresses his idea thus: “all sounds, like human beings, come from the same place. They have different bodies and faces, but the soul of each sound comes from the same perfect 'creation.'" The near two-hour double album which bears the same name ...

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Article: Album Review

William Parker: Universal Tonality

Read "Universal Tonality" reviewed by Mark Corroto

by Mark Corroto

Let's Imagine the difficulty William Parker must face filling out his responses to the U.S. census every 10 years. What is his origin? His race? And how many people occupy his residence—or maybe a better question: how many races are contained within this one person? Joking aside, the musician William Parker has become an everyman. His ...

Article: Album Review

William Parker: Universal Tonality

Read "Universal Tonality" reviewed by Angelo Leonardi

by Angelo Leonardi

A vent'anni dalla sua incisione ecco un inedito orchestrale di William Parker, in un cast ricco di nomi prestigiosi come il trombonista Grachan Moncur III, il violinista Billy Bang, il pianista Dave Burrell, il percussionista Jerome Cooper e il batterista Gerald Cleaver. Accanto a questi sono presenti partner di lunga data del contrabbassista, come il sassofonista ...

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Article: Interview

Adam Rudolph: Ragmala and Prototypical Music

Read "Adam Rudolph: Ragmala and Prototypical Music" reviewed by Franz A. Matzner

by Franz A. Matzner

Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...


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