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203

Article: Big Band Caravan

Gordon Goodwin's Big Phat Band / Gerald Wilson Orchestra / Knoxville Jazz Orchestra

Read "Gordon Goodwin's Big Phat Band / Gerald Wilson Orchestra / Knoxville Jazz Orchestra" reviewed by Jack Bowers


Gordon Goodwin's Big Phat BandThat's How We RollTelarc2010 After more than a decade of making beautiful music at home, on the road and in the studio, Gordon Goodwin's irrepressible Big Phat Band keeps rolling merrily along, burning rubber on its sixth free-wheeling recording (and first for Telarc Records). ...

509

Article: Interview

Jeff Lofton: Jazz to the People

Read "Jeff Lofton: Jazz to the People" reviewed by Josep Pedro


Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...

312

Article: Live Review

Montreal Jazz Festival, Days 4-6, July 2-4, 2011

Read "Montreal Jazz Festival, Days 4-6, July 2-4, 2011" reviewed by John Kelman


Days 1-3 | Days 4-6 Festival International de Jazz de Montréal Montréal, Canada June 25-July 4, 2011 Montréal is a city in transition, and in a move that's absolutely uncharacteristic of other Canadian cities, is planning a downtown renovation driven, in no small part, by the arts. Place des ...

119

Article: Album Review

Stan Killian: Unified

Read "Unified" reviewed by Bruce Lindsay


Unified is tenor saxophonist Stan Killian's third album and his debut for the Sunnyside label. It's high-quality, straight-ahead modern jazz, played with a real swing by Killian and his band, and enlivened by the contributions of three top-drawer guest horn players. Leader/composer Killian hails from Texas, home of Texas tenors like Arnett Cobb ...

240

Article: Album Review

Stan Killian: Unified

Read "Unified" reviewed by Raul d'Gama Rose


Stan Killian is one of those voices that doesn't make a great deal of noise, especially on Unified. His tenor saxophone is by no means a quiet one, but his is a voice filled with a mature gravitas that seems to emerge from a deeper sense of wisdom. His tone is resonant and echoes with mellow ...

228

Article: Live Review

Michael Dessen Trio : Irvine CA, May 7, 2011

Read "Michael Dessen Trio : Irvine CA, May 7, 2011" reviewed by Robert Bush


Michael Dessen TrioUC Irvine, Winifred Smith HallIrvine, CaliforniaMay 7, 2011 Michael Dessen is, according to a frequent employer, the contrabass virtuoso Mark Dresser, “a black-belt trombonist." He is, in fact such a consummate sideman in so many contexts that the opportunity to hear him as a leader is a rare ...

272

Article: Album Review

Noah Haidu: Slipstream

Read "Slipstream" reviewed by Bruce Lindsay


Slipstream is the debut from New York-based pianist/writer Noah Haidu. Featuring an exceptionally talented quintet of musicians, it's a striking first album, full of superb, straight-ahead jazz. Haidu's compositions--he wrote all but one of the tunes--are strong on melody and characterized by a gentle and soulful swing. As a pianist, Haidu sounds equally ...

883

Article: Interview

Ambrose Akinmusire: Emerging Heart

Read "Ambrose Akinmusire: Emerging Heart" reviewed by R.J. DeLuke


"My favorite instrument is the cello," said the easygoing young musician in early February, from his apartment in Manhattan, where he referred to himself jokingly as “a hibernating jazzman." His West-Coast roots weren't taking a firm grip in the frigid temperatures of the Northeast. “Me and strings just don't get along. I can play piano; I ...

249

Article: Album Review

Noah Haidu: Slipstream

Read "Slipstream" reviewed by Dan Bilawsky


What do slipstreams and music have in common? The simple answer is: flow. While some genres have turned their back on the idea of letting each piece of music flow in its own unique way, subscribing instead to digital quantizing and beat perfection, jazz isn't one of them. On his appropriately titled debut, Slipstreams, pianist Noah ...

Article: My Playlist

Jeremy Pelt

Read "Jeremy Pelt" reviewed by AAJ Italy Staff


01. Dizzy Gillespie - Dizzy on the French Riviera (Verve - 1962). Il mio brano preferito è “Chega de Saudade". Il modo in cui Diz e Leo Wright interpretano la melodia è ispirato e profondamente in the groove. 02. Donny Hathaway - Extension of a Man (Rhino - 1973). “Someday We'll All Be Free" ha il ...


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