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13

Article: Interview

Christian McBride: Knocking on the Door

Read "Christian McBride:  Knocking on the Door" reviewed by Bob Kenselaar


Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...

Album

External Logic Machine

Label: Thrill Jockey
Released: 2011

173

Article: Live Review

Jason Robinson Janus Ensemble: San Diego, CA, June 2, 2011

Read "Jason Robinson Janus Ensemble: San Diego, CA, June 2, 2011" reviewed by Robert Bush


Jason Robinson Janus EnsembleDizzy'sSan Diego, CA June 2, 2011 Saxophonist/composer Jason Robinson--whose dual release of The Two Faces Of Janus (Cuneiform, 2010), and Cerulean Landscape (Clean Feed, 2010), put him on the map of wider recognition--finally made his impending departure from San Diego official with this farewell concert, held at ...

457

Article: Live Review

Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011

Read "Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011" reviewed by Robert Bush


Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the ...

Album

Transistor Illumicator

Label: Thrill Jockey
Released: 2010

427

Article: Multiple Reviews

Eclectic electric jazz comes of age

Read "Eclectic electric jazz comes of age" reviewed by Mark Corroto


Back in the 1980s, the marriage of jazz and electronics produced the unfortunate, creativity destroying “jazz fusion" genre. That was because drum machines, synthesizer produced horn lines and computer generated hand claps were often too perfect. A sort of “sanitized for your protection" version of motel drinking glasses. Think about the then innovative trumpeter Miles Davis' ...

883

Article: In the Artist's Own Words

Mark O'Leary: Plucking the Flower

Read "Mark O'Leary: Plucking the Flower" reviewed by Eyal Hareuveni


Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are ...

Album

Zugzwang

Label: pfMentum
Released: 2006
Track listing: Carbon Fianchetto; Opening Demand; Systematic Imbalance; Both Varied Situations; Organic Symmetry; Abbreviated Structure; Luft Swapping; Zwischenzug; Aristotelian Blockade; Liquid Compensation.

Album

The Choir Boys with Strings

Label: pfMentum
Released: 2006
Track listing: Suite One (Needlework Alice; Impromptu Lateral Drop; Tobacconist from Rimini; Frenchwoman Luggage Cart; Adulterous Dishwasher); Suite Two (Definitely Jack; Rest of the Skeleton; Wir Sind Hier).

202

Article: Album Review

Jeff Kaiser / Tom McNalley: Zugzwang

Read "Zugzwang" reviewed by Glenn Astarita


Southern Californian experimental improvisers Jeff Kaiser (trumpet, electronics) and Tom McNalley (e-guitar, electronics) embark upon a mischievously bizarre sojourn here. Call it what you will, but this studio session serves as the epitome of crazed-out, avant garde sound-sculpting where just about anything is liable to occur. For the record, this is not spacey New Age-type fodder. ...


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