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News: Video / DVD

Frank Wess + Kenny Burrell

March 4, 2020

Some of the hippest small-group albums recorded in the mid-1950s were those by Frank Wess for Savoy. These include Flutes and Reeds (1955), Opus de Jazz (1955) led by Milt Jackson, North South East Wess (1956), Trombones & Flutes (1956), No Count led by Frank Foster, Jazz for Playboys (1957), Flute Suite and Jazz Is Busting ...

News: Video / DVD

Art Tatum and Ben Webster

March 3, 2020

For me, jazz is divided between those who recorded with Art Tatum and those who didn't. Tatum remains king of the jazz piano—a briskly shaken cocktail of unrivaled technique, impeccable taste and a staggering ability to make you fall in love whatever song he's playing. Every one of his recordings is a gem, exhibiting daring, speed ...

News: Video / DVD

8 Clips: Boss Tenors

March 1, 2020

Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...

News: Video / DVD

Bull Moose Jackson: Jazz Jump

February 28, 2020

A careful look at a jazz discography always yields an interesting historical story. Back in the late 1940s, many jazz artists had their start in R&B and jump blues bands. The groups were often smartly organized jazz-blues hybrids that played tightly arranged charts and regularly toured, ensuring they'd be well-oiled recording artists. Bull Moose Jackson led ...

News: Video / DVD

Lockjaw Meets the Hawk

February 27, 2020

To the best of my knowledge, tenor saxophonists Eddie “Lockjaw" Davis and Coleman Hawkins recorded together as a duo only once (Very Saxy was a group session with saxophonists Buddy Tate and Arnett Cobb). Davis—like Sonny Rollins, Don Byas, Lucky Thompson and others— was deeply influenced by Hawkins's gruff, boastful attack. So teaming up with his ...

News: Recording

Bennie Green: The Swingin'est

February 26, 2020

Bennie Green had a distinctive trombone. He played in a powdery, insistent staccato style seasoned with the Chicago blues. A member of the challenging Earl “Fatha" Hines and Charlie Ventura bands in the 1940s, he also recorded in bop ensembles. In the 1950s, Green was a sideman on numerous sessions, including the Miles Davis Sextet with ...

News: Recording

McCoy Tyner: Inception

February 25, 2020

McCoy Tyner should receive as much attention as Thelonious Monk, Oscar Peterson and even Bill Evans. For some reason, he doesn't, and I have no idea why not. Tyner's recordings are as inventive, as rich and as stunning as the other three piano leaders. Of course, Peterson and Monk came up in the late 1940s, and ...

News: Video / DVD

René Thomas in 7 Clips

February 22, 2020

For some strange reason yesterday, I had a craving for guitarist René Thomas. I love the way he swings unevenly and the hip quality of his picking and sound of his guitar. Born in Belgium in 1927, Thomas moved to Paris and was deeply influenced by guitarist Jimmy Raney. In the 1960s, he often was featured ...

News: Video / DVD

Miff Mole: Miffology

February 21, 2020

The jazz trumpet dates back to Louis Armstrong and Bix Beiderbecke. The saxophone can be traced to Sidney Bechet and Frankie Trumbauer. And the piano dates back to Scott Joplin and Jelly Roll Morton. As for the jazz trombone, it starts with Miff Mole. Mole is arguably the pioneer of the solo jazz trombone style. Born ...

News: Video / DVD

Ivie Anderson: Early Jazz Voice

February 20, 2020

Like Mildred Bailey, Ivie Anderson was an early female vocalist who pioneered the jazz idiom in dance bands. She joined Duke Ellington's orchestra in 1931and for the next 12 years she toured and recorded with the band. Anderson's voice was more pointed and huskier than Bailey's and featured a mild tremolo. She also had a slinkier ...