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Musician

Angelo Mastronardi

Born:

Eclectic pianist who combines the tradition of jazz with new languages, his compositions and his style in improvisation are recognized by critics since his debut in piano trio in 2014. His works range from duo to big band and symphony orchestra. Angelo Mastronardi is the Producer and Label Manager of GleAM Records, an Independent Record label and music publisher based near Lecce (Italy). The label is specialized in jazz recordings, music for brands, film, tv and advertising. DISCOGRAFY LIKE AT THE BEGINNING (2014 Dodicilune/IRD) (Jazzit Like! Award 2015) HUNGER AND LOVE (2015 Dodicilune/IRD) - sideman NEW THINGS, SAME WORDS (2017 GleAM Records/IRD) (Jazz Like! Award 2017) ART of The Messengers (2019 GleAM Records/IRD) ROUGH LINE (2020 GleAM Records/IRD) MOBA (2021 GleAM Records/IRD) PUBLICATIONS Angelo Mastronardi Fakebook vol

Musician

Matthew Shell

Matthew Shell (also known as MTS), is a music producer and engineer. Based in Washington DC, his versatile production style spans genres as wide as jazz and rock, to RnB and soul. Matthew writes and produces music released as solo productions under his own name, as well as for other bands and solo artists. He is the founder and CEO of publishing house and record label MTS Music. Shell’s work on the production for Marcus Johnson’s album Flo: Chill reached #7 on Billboard Top Contemporary Jazz Chart in 2009. Later that year he worked as the engineer on O.A.R.’s album Rain or Shine that reached #5 on the Independent Albums Chart and also #7 on the US Alternative Albums Chart

Musician

Barbara Brighton

Born:

Barbara J. Brighton’s lifelong love of jazz has bloomed in advocacy and activism. She has provided an important Los Angeles performance showcase for student musicians, the Young Artist Jazz Series, for 23 years. Innumerable young players, including more than a few nationally known musicians, received their first public exposure on the Catalina Bar & Grill’s bandstand that Brighton has presided over. It’s no exaggeration to note that nearly all SoCal jazz musicians under 45 have participated in YAJS. While she has a 40-plus career as a licensed psychotherapist, Brighton’s efforts to produce a competition for student musicians launched her role as impresario


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