Results for "Jaribu SHAHID"

Jaribu Shahid

Jaribu Shahid hails from Detroit, Michigan, and was raised in a diverse musical climate, playing with local luminaries such as Kenn Cox, Wendell Harrison, Jimmy Wilkins, J.C. Heard, Martha and the Vandellas and others. Principally self-taught, Jaribu’s training began in the band of friend Kamau kenyatta and in bass studies with Bob Collins. Around 1975 he was mentored by Faruq Z. Bey and joined the sci-fi band Griot Galaxy. This explorative music, greatly influenced by Sun Ra and the Art Ensemble of Chicago, featured the original concepts by Faruq Z. Bey. This was further realized in 1976 when Tanni Tabal moved to Detroit, establishing the principal rhythm section of his career

The Art Ensemble of Chicago: We Are on the Edge: A 50th Anniversary Celebration

By GIUSEPPE SEGALA

Quanta storia. Nel 1969 Roscoe Mitchell, Joseph Jarman e il più riluttante Malachi Favors, spinti dalla lungimiranza avventurosa di Lester Bowie, si trasferirono a Parigi, accolti dalla comunità degli artisti e degli appassionati con grande attenzione. Tra questi, c'era il batterista e promotore parigino Claude Delcloo, particolarmente attivo e in contatto fin dal 1968 con l'AACM ...

The Art Ensemble of Chicago: We Are On The Edge: A 50th Anniversary Celebration

By KARL ACKERMANN

Bassist Malachi Favors, trumpeter Lester Bowie and saxophonist Joseph Jarman have all passed on, leaving the Art Ensemble of Chicago's remaining original members, saxophonist Roscoe Mitchell and drummer Famoudou Don Moye, to rebuild. We Are on the Edge is a double-CD package; it is a fifty-year celebration of the group, and a dedication to the departed ...

Jazz&Wine of Peace Festival 2018

By NERI POLLASTRI

Jazz&Wine of Peace Festival Cormons, Collio friulano e Brda slovena Teatro Comunale, varie sedi in cantine e sale 24-28.10.2018 Superato lo scorso anno il traguardo delle venti edizioni, il Jazz&Wine of Peace 2018 non ha abbassato l'asticella, proseguendo nel suo progetto che coniuga altissimo livello dei concerti, varietà stilistica ...

Edgefest 2018: The Chicago Connection

By TROY DOSTERT

Edgefest Ann Arbor, MI October 17-20, 2018 This year, Ann Arbor, Michigan's Edgefest Festival turned to Chicago for inspiration. An astonishing array of talented musicians, most with roots in Chicago's storied past or its vibrant present, made appearances at the Kerrytown Concert House for four days of exceptional music that could generally ...

Edgefest 2017: Give the Drummers Some, Part 1-2

By TROY DOSTERT

Part 1 | Part 2 Edgefest Ann Arbor, MI October 18-19, 2017 When mid-October rolls around, many fans of avant-garde jazz and creative music prepare to converge on Ann Arbor, Michigan for their annual pilgrimage to the Kerrytown Concert House, home of the Edgefest festival. Now in its ...

Roscoe Mitchell: Bells for the South Side

By GIUSEPPE SEGALA

Ecco un disco per ascoltatori esigenti. Un lavoro che ripaga con generosità l'impegno di un ascolto vigile, informato, empatico. Roscoe Mitchell è tra i musicisti di oggi che hanno saputo costruire la propria arte con incorruttibile determinazione e coerenza. Bells for the South Side ne rappresenta un capitolo importante, che racchiude una prodigiosa sintesi e nel ...

34 ° Tampere Jazz Happening

By LUCA VITALI

Tampere Jazz Happening 2015 Tampere (Finlandia) 29.10- 01.11.2015 Il Tampere Jazz Happening si conferma come un festival di grande vitalità, tra i migliori in Europa. Un'edizione, questa 34^, ancora una volta senza confini geografici né musicali, all'insegna della combinazione tra musica jazz e parola parlata. I cinquemila spettatori paganti ...

David Murray Infinity Quartet: Be My Monster Love

By PHIL BARNES

If jazz is ever to escape from the “specialist" ghetto in which it finds itself in 2013 the simple truth is that we need more people with the vision of David Murray and more records as good as this one. Murray has a long and distinguished jazz career on tenor sax that began in ...

SubCulture, Grand Opening

By SCOTT KRANE

The art of recording has changed music, more so in the information age. Nevertheless, it seems consensus in New York: jazz sounds better live. SubCulture is a new performance space in the district of Manhattan that is called 'NoHo.' The building is located at 45 Bleecker Street right in front of a stop for the B, ...