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Jan Garbarek Group: Dresden
by Dan McClenaghan
For those new to the explorations of jazz, Norwegian saxophonist Jan Garbarek could be a new name. Never a prolific artist, Dresden is his first release in five years, following In Praise of Dreams (ECM Records, 2004). It was another five years between that disc and its predecessor, Mnemosyne (ECM Records, 1999).But for fans ...
Jan Garbarek Group: Dresden
by John Kelman
Though less active on the recording front in recent years--In Praise of Dreams (ECM, 2004) was his first since Mnemosyne (ECM, 1999), following up his immensely popular pairing with the Hilliard Ensemble, Officium (ECM, 1994)-- Jan Garbarek has toured virtually every year, playing dates in Europe and further abroad. His 2008 Mai Jazz performance, in Stavanger, ...
In Memoriam: George Russell 1923-2009
by AAJ Staff
George was such an inspiration to all of us in his sextet. He encouraged us to go beyond our limitations by introducing and suggesting fresh new concepts. As band members (students) he gave us the encouragement we needed to go further and deeper into our musical improvisations.Playing in his band was a turning point ...
Why George Russell Will Always Live in Time
by Raul d'Gama Rose
A measure of just how underrated a musician he was in his lifetime is reflected in the fact that even three days after he passed on most of the major publications had not even reported his death, much less celebrated his life in the glowing terms that he so richly deserved. Perhaps this was because oddly ...
Molde Jazz: Day 6, July 18, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Break of Day in Molde / Crimetime Orchestra / Jaga Jazzist / Arve Henriksen Closing ConcertMolde Jazz Molde, Norway July 18, 2009 It's almost impossible to believe, that after the late nights ...
Take Five With Domina Catrina
by AAJ Staff
Instrument(s):Left-handed acoustic guitar, high-strung acoustic guitar, virtual instruments (basses, percussions, ethnic instruments, etc) triggered from M-Audio oxygen-8 keyboard into MacBook using Apple loops (usually modified in some way), Indonesian flute (suling), soprano recorder, alto recorder.Teachers and/or influences? I spent six or seven months from September '86 studying guitar at the Musicians' Institute. ...
Molde Jazz: Day 2, July 14, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6Arve Henriksen / Marilyn Mazur / Tomasz Stańko Molde Jazz Molde, Norway July 14, 2009For the uninitiated, it can be somewhat disorienting to leave a concert at 10 at night ...
Jon Balke: Siwan
by C. Michael Bailey
The competent and successful musico-cultural eutection promoted by ECM founder Manfred Eicher since the release of Jan Garbarek/Hilliard Ensemble's Officium (ECM, 1993) takes another quantum step with keyboardist Jon Balke's imaginative and far reaching Siwan. Balke enters a realm of cross-cultural pollination evolving from Officium, through that same collaboration's expanded vision on Mnemosyne (ECM, 1999) to ...
Norwegian Jazz 101a: JazzNorway in a Nutshell 2009
by John Kelman
2008 | 2009 | 2010 | 2011 One of the challenges of any organization or festival is to find ways to top past performances, and certainly the breadth of exposure to Norwegian music, culture and geography at JazzNorway in a Nutshell 2008 (JNiaN) would be hard to beat. A junket where approximately 40 people ...
Mark O'Leary: Plucking the Flower
by Eyal Hareuveni
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are ...
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