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Results for "Jan Garbarek"
Trygve Seim: Rumi Songs
by Mark Sullivan
Norwegian saxophonist Trygve Seim may lack the marquee status of countryman (and fellow ECM artist) Jan Garbarek. But he is no less adventurous, and has recently been popping up all over on 2016 ECM releases: on Mats Eilertsen's Rubicon; with Sinikka Langeland and the Trio Medieval on The Magical Forest; with Iro Haarla and symphony orchestra ...
Piano & More: Rich Halley 5, Casey Golden Trio, Jeff Denson Quartet, Fred Hersch Trio, Peter Erskine Trio, & Sirius Quartet
by Mark Sullivan
An assortment of striking jazz/improvisation recordings. Three of them are piano trios--each with their own unique character--but two of them have no piano, or any other harmonic instrument. Rich Halley 5 The Outlier Pine Eagle Records 2016 Tenor saxophonist Rich Halley's longstanding quartet with trombonist Michael Vlatkovich, ...
Manu Katché: Unstatic
by Karl Ackermann
Drummer Manu Katché's career has been a long, circuitous one that began in rock, working for an extended period with Peter Gabriel, Sting and Joni Mitchell. In the cases of Sting and Mitchell, there was a jazz sensibility present in much of their work. Simultaneously, Katché's work on the ECM label was taking shape as he ...
Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]
![Read "Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/coverart/large/sweetbillypilgrim_wejustdidwhathappenedandnoonecame.jpg)
by John Kelman
Sweet Billy PilgrimWe Just Did What Happened and No One CameKscope Music2016 (2005) My how things have changed. Upon first encountering Britain's Sweet Billy Pilgrim at the 2007 Punkt Festival in Kristiansand, Norway, funding was so diminutive that singer/songwriter/guitarist/multi-instrumentalist/erstwhile leader Tim Elsenberg was unable to bring the full group; instead, he ...
Carla Bley: Shoe Leather, Mystery & Moxie
by Ian Patterson
This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...
Peter Erskine Trio: John Taylor/Palle Danielsson: As it Was
by Karl Ackermann
Over the course of five years in the 1990s, drummer Peter Erskine, pianist John Taylor and bassist Palle Danielsson came very close to perfecting the contemporary piano trio presentation. Across four ECM releases, You Never Know (1993), Time Being (1994), As It Is (1996) and Juni (1999), the international group, all with prior ECM history, came ...
Kit Downes Tom Challenger: Vyamanikal
by Duncan Heining
This a beautiful and elegiac record but one that is not afraid to walk in the shadows. Other artists have utilised the combination of saxophone and organ--John Surman and Howard Moody's Rain on the Window and Jan Garbarek and Kjell Johnsen's Aftenland spring to mind. However, Kit Downes and Tom Challenger's Vyamanikal is quite different in ...
TD Ottawa Jazz Festival 2016
by John Kelman
TD Ottawa Jazz Festival Ottawa, Canada June 22 -July 3, 2016 It's hard to believe, with seasons that move quickly from spring into summer, that it was time, once again, for the TD Ottawa Jazz Festival. Now in its 36th year, the festival has grown from a weekend event into a full-blown, ...
Jazz From Around the World: Europe
by Hrayr Attarian
Jazz has had a universal appeal since its inception. As soon as the music left its cradle of New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below are ...
Jasper Høiby: Fellow Creatures
by Roger Farbey
Taking a break from his highly (and justifiably) praised trio Phronesis, virtuoso bassist Jasper Høiby described the rationale for Fellow Creatures thus: “it's been a dream of mine for a while to start a larger ensemble and to have the option of writing for two melody instruments as well as the trio." Høiby also ...
