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John Kelman's Best Releases of 2017
by John Kelman
For those who may have noticed, there have been no best of lists coming from yours truly since 2014; sadly, the chronic health problem that has reduced my previous writing pace to a crawl continues without much respite. My best of the year lists have always been predicated upon having reviewed the releases chosen, and with ...
JazzMI - II Edizione
by Paolo Peviani
JazzMI -II Edizione Milano 02.11 -12.11.2017 “Che bello vedere Milano sveglia, finalmente!" Queste parole, colte in una conversazione tra appassionati in coda per uno dei tanti concerti di questa seconda edizione di JazzMI, ben fotografano il vero punto di forza del festival. Che non è tanto l'aver proposto ...
Marco Bardoscia
by Vincenzo Roggero
1. Johann Sebastian Bach, Glenn Gould, Goldberg Variations (Sony Classical, 1981). La musica di Bach è per me di grande ispirazione e in particolare questa opera monumentale interpretata da Gould. A volte mi capita di ascoltarne degli estratti prima dei concerti. 2. Miles Davis, Relaxin' with the Miles Davis Quintet (Prestige,1958).
ECM e le voci: Theo Bleckmann e Sinikka Langeland
by Mario Calvitti
Con gli anni, le voci hanno acquistato un carattere sempre più rilevante nel catalogo ECM rispetto ai tempi della sua fondazione, quando l'etichetta bavarese era rivolta alla pubblicazione di musica di carattere prevalentemente jazzistico e quasi esclusivamente strumentale. I primi nomi di cantanti a trovar spazio nel catalogo dell'etichetta sono stati quelli di Norma Winstone, Aina ...
Mauro Bardusco - Direttore Artistico di Jazz & Wine Of Peace Festival
by Neri Pollastri
Il festival Jazz & Wine of Peace di Cormòns, in provincia di Gorizia, è una delle rassegne nazionali di maggior successo, cresciuto negli ultimi anni a dismisura certo anche grazie all'unione degli spettacoli con il vino -Cormòns si trova nel Collio Friulano, ove si producono alcuni dei migliori bianchi d'Italia -ma in primo luogo in virtù ...
Anouar Brahem: Blue Maqams
by John Kelman
Following an unusually long, five-year gap between 2009's low register-driven The Astounding Eyes of Rita and 2014's particularly ambitious orchestral collaboration, Souvenance, Tunisian oudist Anouar Brahem returns with Blue Maqams, another game-changing release on ECM Records. Change--or, in some cases, natural evolution--has never been hard to find on Brahem's previous nine albums for the label, the ...
Marius Neset: Circle of Chimes
by Ian Patterson
It's not just the breath-taking scope and depth of saxophonist/composer Marius Neset's ACT Music releases, Lion (2014), Snowmelt (2016) and now Circle of Chimes (2017) that's remarkable, but the fact that such powerful waves of music have come from the thirty-two-year old Norwegian in the span of just three years.Stylistically diverse as they are, ...
Julian Costello: Transitions
by Bruce Lindsay
Saxophonist Julian Costello has been around the UK jazz scene for a while, but for some years he decided to give up the world of the gigging musician and take up a teaching career. In recent years he's been gigging again and he now leads his quartet on Transitions, a collection of his original compositions recorded ...
Terje Rypdal: Bleak House
by Karl Ackermann
Psychedelic rock was hardly a recognized genre in 1967 Norway, but it was where a self-taught guitarist, barely out of his teens, made a brief stop on his way to becoming a global force in music. Terje Rypdal recorded a single album with a group called The Dream that year. The group subsequently signed with Polydor ...
Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
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