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Ahmad Jamal: Emerald City Nights: Live at The Penthouse, 1966-1968
by Mike Jurkovic
It was a time of warring nations, either within themselves or without. John Coltrane had fallen as Miles Davis was firing up the jazz/funk. It was a time of young men screaming, their bodies on fire. Black and white images of villages savaged and children starving. Into these unrivaled moments--they had just taken down ...
Record Store Day Black Friday 2023: Jazz Releases
by Kyle Simpler
For many, Black Friday conjures up images of massive crowds battling each other to get their hands on marked down gift items at huge department stores. For record collectors, though, the scene is much less dramatic because Black Friday is one of two yearly Record Store Day drops. This is where limited run albums hit the ...
Songbirds: An Interview with Singer Judy Niemack
by Peter Rubie
Apart from their mutual respect for each other, and the fact that they are jazz singers, there isn't a lot, superficially, that you would think Judy Niemack and Jay Clayton have in common. But you'd be wrong. Both have a classical music background, Clayton at Miami University in Oxford, Ohio, before moving ...
Ahmad Jamal: In his Own Sense of Time and Place
by Josef Woodard
This interview first appeared in the Santa Barbara News-Press on October 2005. The introduction has been updated. For the late, great and uniquely poetic pianist Ahmad Jamal, who passed on at age 92 on April 16, 2023, easy descriptors never sufficed in capturing his particular magic. He was a classicist, a modernist, a minimalist ...
Ahmad Jamal: Forward Momentum
by Ian Patterson
In memory of the venerable Ahmad Jamal. This article was first published on All About Jazz on July 6, 2010. Ahmad Jamal, possibly the most influential of living jazz pianists, turned 80 years young on July 2, 2010. It is however, business as usual and instead of celebrating at home in his slippers, Jamal ...
Ahmad Jamal: Emerald City Nights - Live at the Penthouse 1965-1966
by Alberto Bazzurro
Secondo volume, anche questo doppio (minutaggio, in realtà, di un singolo lungo: 78:30), della saga jamaliana: dopo gli anni 1963-1964, si attraversa qui il biennio successivo, per l'esattezza il 18 e 25 marzo (con Chuck Lampkin alla batteria) e il 28 ottobre (con Vernel Fournier al suo posto) 1965, e il 22 settembre dell'anno seguente (con ...
Ahmad Jamal: Emerald City Nights: Live at the Penthouse
by Karl Ackermann
2022 marks the ninety-second year of pianist and composer Ahmad Jamal. An NEA Jazz Master and Grammy winner, in 2007 he was designated a Kennedy Center honoree as a Living Jazz Legend. His first release was The Three Strings (Epic, 1951) and, throughout that decade, he recorded a dozen albums, all in a piano trio format. ...
Mark de Clive-Lowe: Celebrating Pharoah Sanders
by Chris May
It is a curious thing, but among the present day champions of Pharoah Sanders' fundamentally acoustic music are two early adopters of post-production heavy, digitally-enabled, high-tech mutoid jazz: bassist and producer Bill Laswell and keyboardist and broken-beat pioneer Mark de Clive-Lowe, whose Freedom: Celebrating The Music Of Pharoah Sanders (Soul Bank) was released in July 2022. ...
Why Jazz?
by Dom Minasi
This is my first All About Jazz article since 2015. So much has happened to the world around us. I've been thinking a lot lately about my career choice and why I chose jazz and I wanted to hear why some of the best chose to devote themselves to a career in jazz. Here are their ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
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