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12

Article: Liner Notes

Arve Henriksen: Solidification

Read "Arve Henriksen: Solidification" reviewed by John Kelman


Constellations and the Something of Discovery Music as a chosen profession may suggest occupying the minds of its makers far beyond the 9-to-5 hours of your average job, but for some it goes further still. Transcending mere preoccupation, trumpeter Arve Henriksen seems to eat, drink, sleep and dream music, 24/7, 365 days a year. “I was ...

13

Article: The Jazz Life

How to Play a Tin Whistle Like Michael Brecker

Read "How to Play a Tin Whistle Like Michael Brecker" reviewed by Peter Rubie


I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."

3

Article: Profile

Issie Barratt: Every Solo Is A New Invitation

Read "Issie Barratt: Every Solo Is A New Invitation" reviewed by Duncan Heining


Issie Barratt is one of the most significant jazz educators in Britain today. From 1999-2004, Barratt was head of Jazz at Trinity College of Music but her role as Artistic Director of the National Youth Jazz Collective has been of even greater importance in developing young jazz talent. Now in its, thirteenth year, NYJC goes from ...

63

Article: Interview

Carlo Mombelli: Angels and Demons

Read "Carlo Mombelli: Angels and Demons" reviewed by Seton Hawkins


One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has ...

7

Article: Interview

Ted Rosenthal: Dear Erich, A Jazz Opera

Read "Ted Rosenthal: Dear Erich, A Jazz Opera" reviewed by Ken Dryden


Ted Rosenthal is one of the most renowned pianists of his generation. He won first prize at the second Thelonious Monk International Jazz Piano Competition and has been awarded several NEA grants as a composer. Well known as the pianist in Gerry Mulligan's final quartet, Rosenthal has recorded or performed with many other artists, including Bob ...

3

Article: Album Review

Gabe Evens: The Wrong Waltz

Read "The Wrong Waltz" reviewed by Geannine Reid


Gabe Evens is the Assistant Professor of Jazz Piano, Composition and Arranging at the University of Louisville, Jamey Aebersold Jazz Studies Program. Evens is a pianist with a vibrant and robust approach to his composing and playing and his command of harmony and trio playing is simply amazing. The Wrong Waltz is Evens album of ten ...

14

Article: Catching Up With

Randy Brecker: Hittin' It with "RandyPOP!"

Read "Randy Brecker:  Hittin' It with "RandyPOP!"" reviewed by Bob Kenselaar


In his 62 years playing music--starting trumpet at eight years old--Randy Brecker has played all kinds of music, but for many years now, he's mostly been known as a solid, top-flight, first-call jazz player, a modern post-bop soloist and bandleader who carries around his old '70s fusion-funk Brecker Brothers fame in his back pocket. So, with ...

15

Article: Year in Review

2014: The Year in Jazz

Read "2014: The Year in Jazz" reviewed by Ken Franckling


The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and jny: New Orleans trumpeter Lionel Ferbos died at 103. Sad but not ...

19

Article: On and Off the Grid

Practice, Do You? Part 3-3

Read "Practice, Do You? Part 3-3" reviewed by Dom Minasi


Continued from Part 2 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I ...


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