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Up In Harlem - Stride (1921 - 1939)
by Russell Perry
In the last hour, we listened to several of the bands associated with New York, with an emphasis on the new large ensemble form, the jazz orchestra. In this hour we'll stick with New York, but focus in on the piano music of Harlem—"Stride." We are joined in this hour by Art Wheeler, pianist, producer, composer ...
Newk with Bud, a Trip in the Way-Back Machine & More
by Marc Cohn
We start with our usual dose of twenty-first century music (Marsico should be better known in the States!). And there's a quiz for you in tracks two and three; so pay attention! Then, it's 19-year-old Sonny Rollins with Bud Powell from '49, followed by a walk in the Fall air where the original French ...
Thelonious Monk Inside Out: A Fresh Perspective On His Music
by Victor L. Schermer
Over the years, Thelonious Monk has resided in our collective minds and hearts like the extra-terrestrial “E.T." or Holden Caulfield from Catcher in the Rye, or some such alien figure whom we don't fully understand yet love and enjoy. His music shocks and disturbs us, yet we take great pleasure in it like a jolting ride ...
African-American Music: A retrospective at Jazz at Lincoln Center
by Nick Catalano
One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.
Fats Waller by Maurice Waller & Anthony Calabrese
by C. Michael Bailey
Fats Waller Maurice Waller and Anthony Calabrese 256 Pages ISBN: # 978-1-5179-0391-6 University of Minnesota Press2017/1977 With regards to the jazz piano, who came before Art Tatum, Bud Powell, and Bill Evans. Well, it was James P. Johnson, Willie “The Lion" Smith and Thomas Fats Waller. The latter of ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
Euopean Jazz Conference 2016: Polish Jazz Showcases
by Ian Patterson
European Jazz Conference: Polish Jazz Showcases National Forum Of Music Wroclaw, Poland September 22-24, 2016 One of the great things about returning to Poland each time is the exposure to new jazz talent, because beyond the internationally renowned marquee names--the historic Polish greats--are a great number of outstanding artists. How ...
Earl Hines, Pete Johnson and James P. Johnson: Reminiscing at Blue Note – 1939-43
by Marc Davis
In the beginning, there was the piano--if not in jazz generally, then definitely at Blue Note Records. From the start, Blue Note founder Alfred Lion was obsessed with the piano. Blue Note's very first recordings, in 1939, were 19 tunes by boogie-woogie pianists Meade “Lux" Lewis and Albert Ammons. You can hear them all ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Anthony de Mare: Liaisons: Re-Imagining Sondheim from the Piano
by John Kelman
It looks, on paper, like a striking idea. Take a pianist (Anthony de Mare) who has been a virtuosic rising star in the classical and avant-garde arenas over the past quarter century. Commission a set of 36 interpretations, for solo piano, of music by one of musical theatre's preeminent composers, Stephen Sondheim. Choose participants ranging from ...
