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George Cables: The Pianist’s Dedication to the Group
by Victor L. Schermer
Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...
Limerick Jazz Festival 2013
by Ian Patterson
Limerick Jazz Festival Various Venues Limerick Ireland September 26-29, 2013 There's a lot to be said for laying strong foundations. By the time the Limerick Jazz Society got it together to put on the city's inaugural jazz festival in 2012 it already had 30 years experience of hosting local and ...
Jimmy Ponder: His Recorded Output
by Colter Harper
Jazz history has been intimately tied to its recorded output. Styles and genres are defined by landmark records, which stand responsible for representing the diffuse activities and artistic visions of a given musical community or individual. However, recordings are not simply glimpses of past musical realities but rather images of those realities filtered through various “lenses." ...
Mike Clark: East Bay Funk
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...
SubCulture, Grand Opening: Gregg Kallor, Gregory Porter, David Murray Infinity Quartet ft. Macy Gray
by Scott Krane
The art of recording has changed music, more so in the information age. Nevertheless, it seems consensus in New York: jazz sounds better live. SubCulture is a new performance space in the district of Manhattan that is called 'NoHo.' The building is located at 45 Bleecker Street right in front of a stop for the B, ...
Back To... SOUL
by Skip Heller
While everyone else seems to have been attending jazz festivals, I've been flying under the radar with film and TV music jobs, so I haven't had the time to write about the summer's recorded music treasures, and it has been bountiful for record/CD fans. Not least of all because some really careful and wise music fans ...
Poncho Sanchez: Mambo King
by Steve Bryant
For over 30 years, conguero/bandleader Poncho Sanchez has been the premier proponent of West Coast Latin Jazz. Growing up in Norwalk, California, Sanchez was exposed to and influenced by two very different styles of music: Afro-Cuban music and bebop, as well as R&B. Originally a guitarist, Sanchez taught himself the flute, drums, and timbales before finally ...
Tony Adamo: Miles of Blu
by Nicholas F. Mondello
Long before rappers and scratchers, resurrected Mummies, and Lord Buckley's hipsters and flipsters, the ancient Greeks had a name for “cats" like Tony Adamo--rhapsode. The homonym notwithstanding, a rhapsode was a speak-singer--who plucked his lyre and “spung" (spoke-sung) expressive tales of towering, powerful Gods and the tribulations of mortals below them. Pan pipes and percussion types ...
Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
Kojato and the Afro Latin Cougaritas: All About Jazz
by James Nadal
As with any music that is soundly constructed around African rhythms, All About Jazz is impossible to listen to without being captivated by the infectious beats geared for dancing and grooving. Kojato and the Afro Latin Cougaritas have been able to expand upon a distinctive Afro-beat, dancehall, funk, and soul fusion, igniting a cadenced explosion brimming ...
