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Still Thinkin' About Jackie
The inimitable Jackie McLean Shortly after posting the original Thinkin' About Jackie (McLean) (please scroll down) remembrance from drummer Carl Allen, the National Jazz Museum in Harlem presented another of its ongoing Jazz for Curious Listeners programs at its Harlem Visitor's Center, with a remembrance of the rich legacy of the great NEA Jazz Master Art ...
Shawn Maxwell Quartet: Maxwell's House
by Dan McClenaghan
Chicago-based multi-reedist Shawn Maxwell's third disc as a leader, Maxwell's House, follows in the footsteps of his Originals (Self Published, 2006) and Originals II (Self Published, 2008). All three sets possess a solid mainstream quartet sound, with the piano/bass/drums rhythm team fronted by the leader's tangy-toned alto saxophone.The disc opens with the highly-caffeinated title ...
Thinkin' About Jackie
At the recent and successful launch of the Mid Atlantic Jazz Festival (check Facebook for the Jazz Video Guy Bret Primack's clips from the festival), successor to the mid-winter DC classic East Coast Jazz Festival, the event was capped off by a joyous Saturday night tribute to Charlie Parker. “Word on Bird" (title liberally lifted from ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
Chad Eby: Broken Shadows
by Mark Corroto
Attention grabbing music these days is either accomplished by the loudest voice (American Idol anybody?) or the rudest performance. While not saying jazz has descended to that level, certainly the squeakiest wheel often gets the most attention. Then again, hearing a genuine voice like saxophonist Chad Eby reaffirms the instinct that an authoritative performance from a ...
Marion Brown: Why Not?
by Clifford Allen
Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...
Oscar Feldman: Oscar e Familia
by Raul d'Gama Rose
Oscar Feldman is ready, with Oscar e Familia, to put his own stamp on the alto saxophone. Not since the fire of Jackie McLean, the cool breeze of Lee Konitz, Eric Dolphy's rhythmic advances, Ornette Coleman's Harmolodic theories, and Steve Coleman's mBase concepts, has someone attempted to create a new language for that instrument. True, Charlie ...
Wayne Escoffery: Uptown
by Joel Roberts
On Uptown, his fifth album as a leader, the impressive 34-year-old tenor saxophonist {Wayne Escoffery employs an old-fashioned soul jazz lineup of sax, Hammond B-3 organ, electric guitar and drums. But don't expect to hear the sort of bluesy “uptown" jams associated with classic soul jazz tenors like Gene Ammons, Eddie “Lockjaw" Davis or Stanley Turrentine. ...
Andrew D'Angelo: Gay Disco
by Wilbur MacKenzie
In the time between the debut recording by reedman Andrew D'Angelo's trio with bassist Trevor Dunn and drummer Jim Black and the release of the group's follow-up, some dramatic and widely talked about circumstances have befallen the saxophonist. D'Angelo's battle with a malignant brain tumor proved to be an inspiring and transformative process, as the rumbling ...
Miles Davis, John Coltrane, Sonny Rollins: Celebrating Prestige's 60th Anniversary
by Chris May
In fall 2009, the Prestige label is celebrating its 60th Anniversary with a series of compilations and remasters. In October, the Side Steps box set was released, chronicling saxophonist John Coltrane's sideman legacy with the label. In November, there's a compilation of sessions recorded by trumpeter Miles Davis with saxophonist Sonny Rollins, The Classic Prestige Sessions ...
