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Results for "Jack DeJohnette"
Wadada Leo Smith: The Emerald Duets
by Karl Ackermann
The pioneering British photographer/author Val Wilmer said of Wadada Leo Smith, “he no longer relates to the restrictions of scales and chords. To him, music is about two things only: sound and rhythm." Her assessment, from the essential book As Serious As Your Life (Allison & Busby Ltd, 1977), was published in 1977. But in the ...
Wadada Leo Smith: Inspiration Incarnate
by Doug Collette
Wadada Leo Smith's The String Quartets Nos. 1-12 and The Emerald Duets are right in line with his well-established, iconoclastic means of creativity. Material composed and arranged with consummate care and attention to detail is also fodder for improvisation replete with a dignified abandon. And much like the trumpeter/composer/bandleader himself, Tum Records bestows a supreme reverence ...
Wadada Leo Smith: The Emerald Duets
by Dan McClenaghan
Wadada Leo Smith's music is often celestial, but the man himself is of this Earth—of America, in particular, the progeny of people brought to the Western Hemisphere involuntarily. People who have historically been treated as less than human, for the “sin" of having dark skin. This goes on. The true sin, the flames of racism, are ...
Billy Mohler: Anatomy
by John Chacona
Can we please retire the old cliché about jazz from Los Angeles being limp, wan and bland? One listen to pianist Cameron Graves' slamming metal-jazz or to the jittery complexity of David Binney's recent releases should be enough to torch that outdated canard. Now comes bassist Billy Mohler with Anatomy, 43 minutes of amped-up, torqued-out energy ...
Miles Davis: Stockholm Live 1967 & 1969 Revisited
by Maurizio Comandini
Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al ...
Take Five with Clemens Grassmann
by AAJ Staff
Meet Clemens Grassmann Berlin-born, Brooklyn-based drummer, percussionist, composer and educator Clemens Grassmann has collaborated across the U.S. and internationally, releasing multiple recordings as a leader, including Grass Machine (self released, 2022). Recipient of the 2015 Armand Zildjian Percussion Award, Grassmann's genre-defiant aesthetic stretches across generations and unites listeners of every sonic prerogative. Grassmann's compositions ...
A Different Drummer, Pt. 7: Rudy Royston’s Higher Calling
by Karl Ackermann
A look at Rudy Royston's resume tells you that the drummer should be more recognized. Royston has racked up credits with Nate Wooley, Jon Irabagon, Tom Harrell, Aruán Ortiz, Rudresh Mahanthappa, Bill Frisell, JD Allen, Dr. Lonnie Smith, Ron Miles, Noah Preminger, Ben Allison, Tim Ries, Alex Sipiagin, Linda May Han Oh, Bruce Barth, Don Byron, ...
Two Bill Evans Record Store Day Releases
by Mark Corroto
Morning Glory: The 1973 Concert At The Teatro Gran Rex, Buenos Aires and Inner Spirit: The 1979 Concert at the Teatro General San Martín, Buenos Aires (Resonance Records), never officially released before, were both recorded in Buenos Aires, six years apart. Bill Evans, who many a critic would claim to be the most significant pianist of ...
Ron Miles and Other Trumpeters plus Others
by Jerome Wilson
This show features several trumpet players with an emphasis on the late Ron Miles. There are also other musicians heard on the program such as Mark Turner, Jason Moran and Gordon Grdina. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & ...
Sonny Rollins: Ten Colossal Albums
by Chris May
The history of modern jazz is a short one, but even so there are few musicians whose careers began in the bop era and who are still with us in 2022. Drummer Roy Haynes is one. Tenor saxophonist Sonny Rollins is another. Both players recorded with trumpeter Fats Navarro and pianist Bud Powell in 1949.
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