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Walter Smith III: Jazz Explorer
by R.J. DeLuke
Walter Smith stands straight when he raises his tenor sax to his mouth to embark on a solo, or play enthralling, serpentine, contrapuntal lines in unison with band mates like Ambrose Akinmusire. [Check out “Confessions To My Unborn Daughter" from Akinmusire's When the Heart Emerges Glistening.] It's a muscular sound that emerged from his horn. Authoritative. ...
Remembering Art Farmer
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was originally broadcast at the time on Blue Lake Public Radio; portions of this interview appeared in an advance article published by the Grand Rapids Press. Lazaro ...
A dialogo con Marco Colonna
by Neri Pollastri
Il multistrumentista e compositore romano Marco Colonna negli ultimi anni si è messo in luce come uno dei musicisti più interessanti del nostro paese. La sua figura artistica è difficilmene collocabile, vuoi per la pluralità di interessi e riferimenti che guidano la sua ricerca, vuoi per una serie di scelte professionali -concerti svolti in luoghi spesso ...
Interview: Denny Zeitlin
This week, San Francisco pianist Denny Zeitlin will make one of his rare appearances in New York. Starting Wednesday, April 19, and running through Saturday, April 22, Denny will be at the Mezzrow Jazz Club at 163 W. 10th St. On the first two nights, he'll play solo. On the second two nights he'll be accompanied ...
Steve Averill: U2's Joshua Tree is Still a Strong, Exciting, and Relevant Album
by Nenad Georgievski
Album art has always played an important role in how certain music was received. The best album covers are often as much a part of the whole work as the music itself. They are not only a marketing tool but an extension of artistic intent as well as they create a visual representation of the music ...
Nick Brignola: Between A Rock And The Jazz Place
by Rob Rosenblum
Party 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
Intervista a Enrico Pieranunzi
by Daniele Vogrig
Da Charlie Parker a Bruno Canino, da Chet Baker a Domenico Scarlatti, passando per George Gershwin e la musica folklorica romana. In occasione di un suo recente progetto dedicato alla figura di Gershwin, abbiamo avuto il piacere di incontrare Enrico Pieranunzi per una lunga e stimolante chiacchierata, ripercorrendo insieme la sua carriera ultra- quarantennale.
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Bria Skonberg: In Flight
by R.J. DeLuke
Bria Skonberg's roots are in a city more than 2,000 miles--and a different country--away from New Orleans and the traditional jazz music identified with region at the mouth of the Mississippi River. But when she puts her trumpet to her lips and plays, whether with her own quintet or another formation, running through a standard or ...
Antonio Faraò, l'eklektiko
by Daniele Vogrig
In alcuni casi la produzione di un disco può rappresentare un momento di svolta nella carriera di un musicista, non solo da un punto di vista musicale ma anche a livello puramente espressivo. Eklektik è l'ultimo album di Antonio Faraò e a buon diritto può essere considerato un sapiente concentrato di fusion, capace di trascendere generi ...
