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Ingrid Laubrock Serpentines: Serpentines
by John Sharpe
On the eponymous Serpentines, German-born, NYC-based saxophonist Ingrid Laubrock's unveils a new outfit featuring unconventional instrumentation, peopled by an all star cast. For this line up Laubrock takes her enigmatic charts for groups such as Anti-house and Ubatuba to another level, as improv jazz meets the classical avant-garde in pieces where mood and texture often trump ...
Schlippenbach Trio: Warsaw Concert
by John Sharpe
There can't be too many outfits still going strong after 44 years, especially with an unchanged roster. But that's exactly the situation German pianist Alexander von Schlippenbach faces with his trio of countryman Paul Lovens on the drum stool and the legendary Evan Parker on tenor saxophone, give or take an occasional bassist. As a consequence ...
Christoph Irniger Pilgrim: Big Wheel Live
by Glenn Astarita
Here's a young European jazz outfit that has a distinct personality. Led by Swiss tenor saxophonist Christoph Irniger, the quintet's upfront deportment is consummated by interweaving progressions and climactic pieces riding above variable currents. One of many outwardly enticing attributes is how sublime choruses often feel like they are on the verge of exploding into impacting ...
Angelika Niescier, Florian Weber: NYC Five
by Stefano Merighi
Una bella pattuglia di ragazze sassofoniste sono maturate in questi ultimi anni. E accanto alle varie Matana Roberts, Ingrid Laubrock, Mette Rasmussen, Virginia Genta, si accomoda ora Angelika Niescier, musicista davvero straordinaria, impegnata sia artisticamente che socialmente. Polacca di nascita, tedesca di adozione (dirige il Winterjazz a Colonia), giramondo di vocazione (ha lavorato nella striscia di ...
Barry Guy: The Blue Shroud
by John Sharpe
In some ways, The Blue Shroud might be Barry Guy's signature work. It's the first to unite his varied interests in Baroque music, composition, jazz and improv at an orchestral scale. To do so Guy assembles a 14-strong crack unit capable of interpreting each aspect to the highest level, including several early music specialists who are ...
Fred Frith Trio: Another Day in Fucking Paradise
by Glenn Astarita
The album title may equate to what a disgruntled co-worker may utter at the office on a Monday morning. Yes, some of us have used this line, but master improviser, guitarist Fred Frith's prowess and boundless creativity is the antithesis to anything that may cause a semblance of drudgery. Jason Hoopes' bursting e-bass lines ...
Omri Ziegele Noisy Minority featuring Ray Anderson: Wrong is Right
by Eyal Hareuveni
The Swiss trio Noisy Minority led by alto saxophonist-poet Omri Ziegele mocks the notion that you can make a clear-cut line between what is right and wrong in jazz or any improvised music. Their aesthetic goes deeper than the often-repeated inverse by pianist Kenny Barron: “if you don't make mistakes, you don't play jazz." Instead, Noisy ...
Richard Poole, Marilyn Crispell, Gary Peacock: In Motion
by Maurizio Zerbo
In Motion è un disco sorprendente, con cui la Marilyn Crispell oltrepassa il proprio orizzonte espressivo di riferimento. Sin dal brano iniziale, si ha la sensazione di ascoltare qualcosa di diverso rispetto ai suoi precedenti percorsi iconoclastici. Cambia l'aura, in continua oscillazione tra trame formali ed informali, tra fraseggio lirico e flusso ritmico fluttuante. Rimangono inalterati ...
Ulrich Gumpert Quartett: A New One
by Giuseppe Segala
Andare in profondità con gli strumenti della leggerezza e dello spiazzamento ironico. Queste le prerogative di Ulrich Gumpert, storico esponente della scena creativa europea, che negli anni Settanta fu cofondatore del quartetto Synopsis insieme a Konrad Bauer, Ernst-Ludwig Petrowsky e Günter Baby Sommer, tra le cui realizzazioni c'è un album dal titolo che susciterebbe immensa invidia ...
Tom Rainey Trio: Hotel Grief
by Stefano Merighi
Se c'è Tom Rainey dietro i tamburi, state certi che la musica palpita, veleggia, s'impenna. Che sia un piano-trio jazz (Kenny Werner, Fred Hersch, Kris Davis) o un gruppo a composizione stratificata e complessa (Tim Berne), oppure un gioco di libera improvvisazione (i Lark, Tony Malaby), il drumming di Rainey è garanzia di sorpresa, tensione drammatica, ...
