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Chris Speed Trio: Respect for your Toughness
by Vic Albani
Nuovo album, ancora una volta targato Intakt, per il sassofonista Chris Speed in trio con Chris Tordini, contrabbasso, e Dave King, batteria. Un trio, ormai ben rodato, in grado di tradurre con alta coerenza stilistica e formale architetture di classica derivazione bop ma lavorando come Speed ci ha ormai abituato da tempo. La sua verifica strutturale ...
Omri Ziegele Tomorrow Trio: All Those Yesterdays
by Mark Corroto
It's been more than twenty years since the world lost saxophonist Thomas Chapin. If you were to conduct a search like Tibetan Buddhists looking for the next incarnation of the Dalai Lama, the signs and symbols you would sift through are of course recordings. All Those Yesterdays may be all the proof one needs to adjudge ...
Aruán Ortiz with Andrew Cyrille & Mauricio Herrera: Inside Rhythmic Falls
by John Sharpe
Cuban pianist Aruan Ortiz' fifth release for the Swiss Intakt label sits midway between his solo Cub(an)ism (2017) and dates by his Trio such as Live In Zurich (2018). In spite of the title, while there is a greater rhythmic impulse than on the unaccompanied session, the interaction largely pulls back from the intoxicating momentum of ...
Saadet Türköz, Elliott Sharp: Kumuska
by Angelo Leonardi
La relazione musicale tra la cantante turco-kazaka e il chitarrista statunitense, iniziata un ventennio fa nel quintetto che registrò Marmara Sea (Intakt 1999) ritorna con una collaborazione a due, non meno singolare e affascinante della precedente. L'universo vocale di Saadet, carico di suoni ancestrali e profonde connessioni col folklore dell'Asia centrale, trova in Sharp il partner ...
Jim Black Trio: Reckon
by John Sharpe
The piano trio field is a big one, even that corner reserved for the evenly poised triumvirate heirs to Bill Evans. But drummer Jim Black's unit carves out its own distinctive acre. On the fourth album since its inception in 2011 the threesome, completed by NYC-based, Austrian-born pianist Elias Stemeseder and bassist Thomas Morgan, has reached ...
James Brandon Lewis / Chad Taylor: Live In Willisau
by Mark Corroto
Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...
Alexander Hawkins and Tomeka Reid: Shards and Constellations
by Troy Dostert
Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the years—perhaps the most notable example being Step Wide, Step Deep (Babel, 2014)—but he's been active in freely-improvised contexts as well, working with everyone from ...
James Brandon Lewis and Chad Taylor: Live In Willisau
by Troy Dostert
Somewhat forgotten amidst the excitement surrounding James Brandon Lewis' UnRuly Manifesto (Relative Pitch, 2019) was the excellent release that preceded it. Radiant Imprints (Off, 2018), a duo release with drummer Chad Taylor, put the focus squarely on Lewis' extraordinary tenor saxophone prowess and his strong accord with one of the most in-demand drummers in creative jazz. ...
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Mike Jurkovic
Alto saxophonist Tim Berne has never met anything or anyone he doesn't instantly want to re-invent, invert, dismantle and polish into his own image. And no, it's not any kind of savior thing, messianic impulse or Dr. Stranglove fixation. He simply hears and sees things more offbeat, peculiar, and colorful, thank you very much.
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Dan McClenaghan
Saxophonist Tim Berne figured out what he wanted to do early on, with albums like Ancestors (Soul Note, 1983), Nice Winter ( Winter & Winter, 1993), Science Friction (Screwgun, 2002) and Snake Oil (ECM Records, 2012)—to pick one representative recording per decade from a jam-packed discography. “I'm doing the same thing I've been doing from the ...
