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Results for "Ingrid Laubrock"

Article: Album Review

Varyan Weston - Ingrid Laubrock - Hannah Marshall: Haste

Read "Haste" reviewed by AAJ Italy Staff

by AAJ Italy Staff
September 11, 2012

Il trio di questo disco omonimo sembra essere di casa in festival e rassegne dedicati espressamente alla libera improvvisazione. In questo caso i tre brani sono stati registrati a Barcellona il 9 febbraio 2011 all'interno del XV Festival Internacional de Improvisación Hurta Cordel. Per quanto si tratti di un trio paritario si può percepire una certa ...

Article: Live Review

Vision Festival, NYC, Days 6-7: June 16-17, 2012

by John Sharpe
August 14, 2012

Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 16-17, 2012 Chapter Index June 16: Steve Swell Quintet / Trio 3 / Jason Kao Hwang Burning Bridge June 17: Ingrid Laubrock's Anti-House / Burnt Sugar Holy Ghost & Fire / Rob Brown/Daniel ...

Article: Profile

Matthew Shipp: Shipp Shape

by Chris Rich
August 12, 2012

Pianist Matthew Shipp is very keenly attuned to the details and nuances of what has to be the most forlorn and anemic environment imaginable for anything a sensible person would call business. Think of it as the sort of business ecosystem that resembles the least habitable places on earth, say a fumarole at the bottom of ...

Article: Live Review

Vision Festival, Days 3-5: New York City, NY, June 13-15, 2012

by John Sharpe
July 29, 2012

Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 11-17, 2012Wednesday night at the Vision Festival was given over to the celebration of a lifetime of achievement by multi-instrumentalist, Joe McPhee, a deserving and popular choice. In presenting him with the envelope (presumably holding a check), ...

Article: Live Review

Vision Festival, Days 1-2: June 11-12, 2012

by John Sharpe
July 27, 2012

Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 11-17, 2012For the 17th annual Vision Festival, organizer Patricia Nicholson Parker and her team had assembled one of strongest lineups in many years. Alongside many luminaries of the New York free jazz firmament, including accomplished working bands ...

Article: Interview

Tyshawn Sorey: Composite Reality

by Daniel Lehner
June 26, 2012

Though Tyshawn Sorey's Oblique-I (Pi Recordings, 2011) is his most recent release to date, it's actually comprised of some of the percussionist/composer's earliest work. Containing music that is sonically dense, enormously challenging and (as the title suggests) consistently blurs and obscures the lines drawn between improvisation and composition, it has been hailed by critics and fans ...

Article: Album Review

Veryan Weston / Ingrid Laubrock / Hannah Marshall: Haste

Read "Haste" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose
June 1, 2012

Veryan Weston is one of the most creative musicians in recent times--or, perhaps, ancient times would be closer to the truth, for what is new emanates from the old and what is old gives birth to the new. Weston presides over this conundrum like a medieval apothecary concocting brilliant and powerful and magical potions that take ...

Article: We Travel the Spaceways

The Rocket Ship Takes Off

by Mark Corroto
May 23, 2012

I have good news and bad news. The bad news is the big record companies are dead. The good news is the big record companies are dead. Gone are the days of Columbia Records signing trumpeter Wynton Marsalis to a million dollar contract and then promoting the hell out of his vision of jazz, selling his ...

Article: Extended Analysis

Oriole: Every New Day

by Chris May
April 24, 2012

OrioleEvery New DayF-IRE2012Oriole's third album of sonorous South American and Iberian-flavored jazz has been some time coming. The London group, led by guitarist and composer Jonny Phillips, debuted with Song For The Sleeping in 2005 and followed up a year later with Migration (both F-IRE). There has been ...

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Article: Interview

Nikki Iles: Meditation and Collaboration

by Bruce Lindsay
April 2, 2012

Pianist and composer Nikki Iles describes herself as one of the “not-so-young-anymore generation" of British jazz musicians--a fair comment, in chronological terms, from a musician born in the mid-'60s. But more importantly, she's a musician of experience, expertise and talent, viewed with great respect by players across the world. Iles' self-description does seem to be typical ...