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Jerome Wilson's Best Releases of 2019
by Jerome Wilson
The human voice was the first musical instrument and many of my favorite releases of the past year show how powerful the voice can be, whether the singer is in a choir, part of an instrumental ensemble or leading the band. Of course there were also many purely instrumental releases that were outstanding as well.
Ingrid Laubrock, Aki Takase, Alexandra Grimal and More
by Maurice Hogue
This episode acknowledges a few of the outstanding and important female jazz improvisers who are becoming more and more prominent in the 21st century. You'll hear music from the mutual admiration duo of saxophonist Ingrid Laubrock and pianist Aki Takase, French saxophonist Alexandra Grimal displaying her talents on three differently focused albums, Estonian take-no-prisoners saxophonist Maria ...
Robert Landfermann: Topaz
by Don Phipps
A brilliant tour de force, Robert Landfermann's Topaz is helped in no small part by the amazing contributions of the quartet Landfermann assembled for this session. It is clear he prefers spontaneous improvisation over formal structures. The key to such an approach relies on the ability of the musicians to both listen to one another and ...
Aki Takase: In The River's Flow
by Ian Patterson
After forty plus years of recording and touring Aki Takase could be forgiven for easing up a little, for pulling back on the reins. Instead, the Japanese pianist/composer's creative fire is burning as strongly as ever. Since turning seventy in 2018, Takase has released five albums--four in 2019 alone. This output of creative energy showcases the ...
Nick Fraser - Kris Davis - Tony Malaby (with Ingrid Laubrock & Lina Allemano): Zoning
by Troy Dostert
Nate Cross' Astral Spirits imprint has steadily become one of the go-to options for fans of adventurous music. With over a hundred releases in its five-year existence, including well over thirty in 2019 alone, the label has maintained an impressive commitment to both quality and quantity. However, an output this extensive can result in a few ...
Jean Toussaint: Live At The Jazz Cafe 091218
by Chris May
Most times, the transatlantic flow of jazz musicians is from east to west. Less frequently, as with Jean Toussaint's relocation from New York to London, it is contrariwise. Hot from four years as a member of Art Blakey & The Jazz Messengers's Jazz Messengers, Toussaint arrived in Britain in 1987. He soon established himself as a ...
Sonic Explorations and Creative Improvisations at The Guelph Jazz Festival
by Dave Kaufman
In North America, there are over 100 annual jazz festivals. Only a small number of these festivals are devoted to the avant-garde, adventurous, and freely improvised music. The Vision Festival in New York City is perhaps the best known festival with its celebration of improvised music, dance, and poetry. There are a few others that are ...
Kris Davis: Diatom Ribbons
by Troy Dostert
To call pianist Kris Davis stylistically omnivorous would seem to be an understatement. While she started her career solidly in the avant-garde circles that brought her into projects with stalwarts of the genre like Ingrid Laubrock, Tyshawn Sorey, Tom Rainey and Tony Malaby, that hasn't stopped her from forging connections with other musicians not typically included ...
Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)
by Karl Ackermann
When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...
Welcome to the Deep End
by Patrick Burnette
The boys contemplate the profundity of the abyss--or, at least, of some fairly serious third-streamy jazz releases, on this very “whoa, man" episode. A three-disc extravaganza from a feted musician on Blue Note, a challenging big-group project on the always challenging Intakt label, and a ballet score by jazz's favorite theoretician from the sixties make up ...
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