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State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Illinois Jacquet: Go Power!
At the tail end of October, I devoted several posts to Wild Bill Davis, who I feel is the true father of the soul-jazz organ. Davis's superb taste, popular success and treatment of the instrument as a big band in the late 1940s and early '50s helped pave the way for all organists who followed. Coming ...
Jazz Musician of the Day: Illinois Jacquet
All About Jazz is celebrating Illinois Jacquet's birthday today! Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely ...
Soul Jazz: Jazz In The Black Community, 1945-1975
by James Nadal
Soul Jazz: Jazz In The Black Community, 1945-1975 Bob Porter281 Pages ISBN: #978- 15245-4786-8 Xlibris 2016 With the end of World War II, in 1945, there was great rejoicing and celebrating a triumph over evil, as the United States ushered in a new era. But with segregation still the ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Michael Rabinowitz: Uncharted Waters
by Roger Farbey
Like the harp, oboe and tuba, bassoon in jazz is not a common instrument but all have been occasionally successfully employed as lead soloing instruments. Amongst a handful of others, Illinois Jacquet and Lindsay Cooper both played bassoon in a jazz context. Cooper, who died of MS in 2013, was depicted playing the bassoon in John ...
Leo Parker: Rollin' With Leo – 1961
by Marc Davis
What if I told you there's a saxman who was there at the birth of bebop--literally, he played on the very first bebop recording--and you've never heard of him? And what if I told you his life story is the very archetype of the tragic, drug-addicted jazz musician? Would you still want to hear ...
Jazz Musician of the Day: Illinois Jacquet
All About Jazz is celebrating Illinois Jacquet's birthday today! Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely ...
Music Education Monday: Jazz theory with Barry Harris
Today for Music Education Monday, here are some lessons in piano and jazz theory from the veteran pianist Barry Harris, via a series of short videos produced by the Jazz Academy program of Jazz at Lincoln Center in NYC. The first of these four clips was part of a previous post here with some other piano-related ...
