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Tim Nikolsky: Getting Real Down Under
by Ian Patterson
Australian jazz? Although New Orleans is the undisputed historical cradle of jazz, any attempt at a definition of what modern jazz is seems to crash against the rocks of uncertainty at best, and narrow mindedness at worst. Tim Nikolsky--a guitarist who has been part of the Melbourne jazz scene for a decade--agrees that, whilst it is ...
Jay Anderson: Driving the Bus
by Ian Patterson
The term sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...
BANN: As You Like
by Ian Patterson
Not to be confused with the British Association of Neuroscience Nurses, or the Builders Association of Northern Nevada, BANN--the brainchild of drummer Adam Nussbaum--is a quartet which nevertheless matches brain with brawn. Saxophonist Seamus Blake, bassist Jay Anderson, Nussbaum and guitarist Oz Noy pool their initials and their considerable individual talents, to create a vibrant, swinging ...
Walter Kolosky: Affairs of the Heart
by Ian Patterson
It took journalist Walter Kolosky eight months to put together Follow Your Heart: John McLaughlin Song by Song (Abstract Logix, 2010), though, in effect, this impressive listener's guide has been the culmination of a lifetime listening to the English guitarist's music. Kolosky has written extensively on McLaughlin's music for many years, and has interviewed him many ...
Scott Henderson Trio: Bangkok, Thailand, March 18, 2011
by Ian Patterson
Scott Henderson TrioMello YelloBangkok, ThailandMarch 18, 2011 The Scott Henderson Trio crowned an impressive inaugural fortnight at Mello Yello, with an electrifying performance in front of a small but appreciative audience. With jazz clubs few and far between in Bangkok, the opening of Mello Yello at RCA, in the clubbing heartland ...
Abdullah Ibrahim: Perpetual Change
by Ian Patterson
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
Pianist Abdullah Ibrahim Interviewed at All About Jazz
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
Matt Haimovitz: Rare Birds
by Ian Patterson
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...
Cellist Matt Haimovitz Interviewed at All About Jazz
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. After two dozen albums, Haimovitz, in ...
Follow Your Heart: John McLaughlin Song by Song
by Ian Patterson
Follow Your Heart: John McLaughlin Song by SongWalter KoloskySoftcover; 306 pagesISBN: 978-0-9761016-5-9Abstract Logix Books2010 The title of Walter Kolosky's guide to the entire compositional oeuvre of guitarist/composer John McLaughlin captures the essence of what makes McLaughlin tick. Whether alienating jazz purists at the ...


