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Hot Heros: Folkjazz from Finland
by Anthony Shaw
From the tarnished keys of his favorite old tenor sax, through the scaberous tones of the same instrument to the tangle of his extensive rusty beard, Sami Sippola epitomizes the essence of a free jazz artist. So needless to say the most recent of the releases featuring this well established Finnish musician is another tour de ...
Results for pages tagged "Hot Heros"...
Ville Matti Rauhala
Born:
A native of Tampere since his early twenties, Ville Rauhala was born in the neighbouring rural municipality of Kangasala in 1976. He has taken double bass lessons at the Pirkanmaa Music Institute and studied ethnomusicology at the University of Tampere for a period of ten years at the turn of the Millennium. One of his most long-standing collaborators is saxophonist Masa Orpana, another Kangasala- based musician and a prominent figure of the North Tavastia jazz and rhythm & blues scene. The men have performed and recorded together in line-ups such as Olmarin Unioni ever since the early 1990s. Rauhala’s path to a fully-fledged professional musicianship commenced in the mid-1990s in the ranks of various roots bands
Results for pages tagged "Hot Heros"...
Sami Sippola
Hailing from the costal town of Pori, Sami Sippola was born in 1971. He commenced playing the alto saxophone in his early teens both by jamming with local bands and by starting to learn the ropes at the Pori Conservatory. As the time of the mandatory military service arrived in 1990, he enrolled at a military band – all the while also honing his chops with various jazz and rock groups. A move to Tampere in 1998 proved to be an important decision, as Sippola then became better acquainted with the city’s vibrant music scene known both for the easy-going camaraderie and the DIY mentality, especially prevalent in the jazz sector and personified in people like drummer Janne Tuomi, composer/multi-instrumentalist Kusti Vuorinen, saxophonist Masa Orpana and bass player Ville Rauhala. At the turn of the Millennium, Sippola had become as much a mainstay of the North Tavastia scene as the aforementioned, and he was often heard performing alongside them




