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Marvin Stamm/Mike Holober: Live @ Maureen's Jazz Cellar
by Pierre Giroux
It is hard to overstate the value of long standing working relationships between musicians. When this musical symbiosis is at its best, the result is a genuine understanding and an interpretation of the music in a comprehensive way. Such is the case between flugelhornist Marvin Stamm and pianist Mike Holober on Live @ Maureen's Jazz Cellar. ...
Another Set of Recent Listeners’ Favorites
by Marc Cohn
The number of the week is five (as in Show 435)! So, it's time for listener favorites from recent shows (421-430). WHYR, Mixcloud, Pacifica and All About Jazz messages, emails, and one-on-one (masked!) feedback in the grocery store are all considered. That would generate some five to six hours of material. So, we have to exercise ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Charles Tolliver: Connect
by Chris May
Put out more flags. Connect, the first release from trumpeter Charles Tolliver in over a decade, is a monster. From the Saturday-night goodtime opener Blue Soul" through to the intense, Spanish tinged, serpentine closer Suspicion," the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s. ...
We Jazz Live: Jazz From Finland
by Friedrich Kunzmann
Documenting the Finnish label We Jazz Records' ongoing live activities, the We Jazz Live Plates" volumes present a fairly complete overview of the label's roster of talent in a live environment. Volumes 2 and 3 of this project have been released together and present recordings of various projects' performances at the Ateneum Art Museum in Helsinki ...
My Early Years With Bill Evans, Part 1
by Chuck Israels
Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...
Catalina Jazz Club: Landmark Jazz Haven Forges Onward
by Jim Worsley
While west-coasters long to go to the Blue Note in New York City, east-coasters have their sights set on the Catalina Jazz Club in Hollywood. The family-owned and operated jazz hot spot has seen and heard from all the jazz legends over the past thirty-four years. The supper club has fine dining and even finer up ...
20 Seattle Jazz Musicians You Should Know: Jay Thomas
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Meet Steve Swallow
by Craig Jolley
From the 1995-2003 archive: This article first appeared at All About Jazz in October 2000. Touring this summer As is often the case I've been touring Europe during the dreaded festivals. I did the July circuit with a band of [drummer] Bobby Previte's called Bump the Rennaissance which also contains [trombonist] Ray Anderson, [reed ...


