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Results for "Hoagy Carmichael"
Franck Amsallem: Amsallem Sings
by Bruce Lindsay
Thirty years into a career which has seen Algerian-born Frank Amsallem playing piano with musicians as diverse as Joshua Redman, Gary Peacock and Danny Gatton, Amsallem Sings is his debut recording as a vocalist. It's a solo album--Amsallem accompanies himself on piano, without the support of any other players, so that the album stands or falls ...
Nnenna Freelom: Homefree
by Fred Bouchard
Nnenna Freelon can be spotted miles off, like neon or a rainbow. The tall, rawboned, outspoken gal from Cambridge, MA via North Carolina owns a musical persona as unique as her name. She nails her ancient/modern, genre-jumping repertoire, embraces it, inhabits it organically and belts it with a hearty, emphatic attack. You can ...
Ken Peplowski: Noir Blue
by Martin Longley
In his liner notes, saxophonist/clarinetist Ken Peplowski reveals that after hitting fifty, he had no desire to make albums that are going through the motions of record company requirements. Not that such bodies are lately in a position to demand anything. He now intends to make recordings when the inspiration is strong and when the circumstances ...
Dexter Gordon: American Classic
by Chris May
Reissued as part of the Warner Jazz Elektra Masters series, tenor saxophonist Dexter Gordon's American Classic was originally released in 1982. It was part of a late-period American renaissance enjoyed by Gordon, who, after 15 years in Europe, had made a much lauded return to the New York club scene in the mid 1970s. Gordon's renaissance ...
Ken Peplowski: Noir Blue
by Raul d'Gama Rose
Ken Peplowski has much to say; not in the sense that he jabbers incessantly, as many men with horns (and embouchures for hire) sometimes do. However, in erudite and leaping ululations, and in warm, wafting glissandos he sings of the gaiety and sadness of life. This he does through clarinet or tenor saxophone, depending on the ...
Benny Goodman 70th Anniversary Concert at Carnegie Hall, January 16, 2008
by AAJ Staff
Benny Goodman 70th Anniversary ConcertCarnegie HallNew York, NYJanuary 16, 2008 The King of Swing, Benny Goodman, played a historic concert at Carnegie Hall on January 16, 1938. The concert was probably the first to prominently display popular music in a classical music venue. Carnegie Hall was open again to swing, when ...
Daniel Kelly, Gary Peacock & Marc Copland, Allison Miller: Solo, Duo, Trio
by J Hunter
It can be argued that a quartet offers jazz listeners maximum effect with minimal personnel. It allows for two solo voices without compromising the rhythm section, and gives a composer access to a wider range of colors than could be provided by a smaller group. Then again, there are players doing much more with much less. ...
Ken Peplowski: Noir Blue
by C. Michael Bailey
Noir Blue is a slight coloring outside the lines for clarinetist/saxophonist Ken Peplowski. His most recent recordings (with Arbors and Nagel Heyer) have focused on older swing forms and repertoire. Presently, Peplowski is playing pure jazz quartet music with pianist Shelly Berg, bassist Jay Leonhart, and drummer Joe La Barbera. The song choice is anything but ...
Thomas Lorenzo: Spanish Breeze
by Edward Blanco
Guitarist Thomas Lorenzo moved to Barcelona, Spain in 2003 and has since produced four solo albums, including the very charming Spanish Breeze. The son of Spanish immigrants, who fled Franco's Spain and settled in Lorenzo's birth place of Australia, Lorenzo never really forgot his Spanish ancestry, learning to weave traditional Spanish music within the Australian rock ...
Allison Miller: Boom Tic Boom
by Mark Corroto
Just say yes to records led by drummers. Why? Because drummers may rarely be the leaders or composers, but they're always the soul of any good recording. Where's Coltrane without Jones, or Jarrett without DeJohnette? Nowhere. That's why, when a session is commanded by a percussionist, as is Boom Tic Boom by drummer Allison Miller, there ...
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