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Sun Ra Arkestra at Great American Music Hall
by Harry S. Pariser
Sun Ra Arkestra SFJAZZ Center San Francisco, California February 6-8, 2024 Over the decades, music venues in San Francisco have come and gone, but one constant remains: Great American Music Hall. A house of ill repute when it first opened in 1907, the building has gone through several transitions as a ...
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of ...
Meet Grammy Award Winning Producer Joel Dorn
by Chris M. Slawecki
This article was first published at All About Jazz in 1997. The Song Remains The Same If you're a serious jazz fan, even if you're any kind of jazz fan at all, there's an excellent chance that in your collection you've got at least one piece of music that was produced by Joel Dorn. ...
Bill Evans: Ten Essential Sideman Albums
by Chris May
Bill Evans attracts a special sort of fan. Clinically obsessive is a reasonable description. While far from undiscerning, we find something, usually plenty, to enjoy in every record Evans played on. And we want them all in our collection. Evans' hardcore fans include practically every musician who played with him. Eddie Gomez, his ...
Mike Clark, George Benson & Sammy Figueroa
by Joe Dimino
From a modern legend and artist of many talents, we begin the 820th Episode of Neon Jazz with Sammy Figueroa and music from am album that honors his late father, Searching for a Memory. We follow that with another legend and a man that gave Sammy his start in Herbie Mann. We also dip into music ...
Off Da Hook – Or, You Got Rock in My Jazz
by Patrick Burnette
We all know about fusion--the (sometime unholy) union of jazz and rock that tried to find a new audience for instrumentalists in the 1970s. But there have always been, well, odder experiments with electricity in jazz, more like intrusions of the rock world than integrations, and we look at four rather varied examples in this here ...
Que Viva La Musica
by C. Andrew Hovan
Much has been made about the making of a hybrid style involving Latin music and jazz strains that was established by Dizzy Gillespie and Chano Pozo in the late '40s. However, the ripples of those early experiments would reach far and wide for subsequent decades, even if the casual listener might have been largely unaware of ...
Various Artists: Hip Holland Hip
by Chris May
This carefully curated disc is subtitled Modern Jazz Classics 1950-1970 and is a collection of tracks recorded by Dutch musicians and released in the Netherlands mostly in the late 1950s and early 1960s. Few of the musicians other than a sprinkling of American guest artists such as Herbie Mann and Art Farmer will ...
Michael Dease, Bob Brookmeyer, Archie Shepp and More
by Jerome Wilson
This program has a wide range of newer and older modern jazz, including recent music from Michael Dease and Anthony Branker and older work from Bob Brookmeyer and the Archie Shepp Attica Blues Big Band. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of ...
Backgrounder: Mann and Rouse, Just Wailin'
On February 14, 1958, Bob Weinstock brought together a sextet to record for his New Jazz Records. Weinstock had founded New Jazz in 1949 as his first label just before launching Prestige later that year. Despite Prestige's success in the 1950s, Weinstock kept New Jazz alive for reasons that are unclear. He may have done so ...
