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Spike Wilner: La Tendresse
by Dan Bilawsky
There are few greater champions of the old and new in jazz than pianist/club owner/musical antiquarian Spike Wilner. His role in resuscitating and running one of the most important night spots for jazz in New York--Smalls Jazz Club--has made him a hero to those who frequent that bastion of musical integrity, but he's also revered as ...
Ro Sham Beaux: Ro Sham Beaux
by Jeff Dayton-Johnson
The four New England Conservatory students who make up Ro Sham Beaux would have you believe that their sound is some kind of convoluted indie-rock/jazz hybrid. That pretense is present in the rock 'n' roll production values of the record and in the album artwork; it's even there in the press release.That's all well ...
Adam Cruz: Making Some Room
by R.J. DeLuke
Playing drums with some of the finest musicians around, touring the globe with them, and teaching music can be a lot on the plate of a person fortunate enough--and talented enough--to find themselves in that situation. In fact, that's a solid career.But for Adam Cruz--a much sought-after drummer on the New York City scene ...
Kate McGarry: Girl Talk
by Jeff Dayton-Johnson
There are many reasons to like vocalist Kate McGarry's Girl Talk.There's the lively set list, first of all--a mix of all-too-well-known and too-little-known standards, with a fine Brazilian number thrown in. There's the uniform excellence of the band: witness Gary Versace's idiomatic organ accompaniment on “Girl Talk"; guitarist Keith Ganz--sensitive throughout, but especially on ...
Jazz & Blues Florida May 2012 Online Edition Posted
The new edition of Jazz & Blues Florida, Florida's free online source for information on live jazz and blues in clubs, concerts and festivals, is now available. Readers throughout Florida and visitors coming from around the world consult this site for information on the vibrant scene to be found throughout the state. If jazz & blues ...
Jazz Soul Seven: Impressions Of Curtis Mayfield
by Dan Bilawsky
Curtis Mayfield's music has always possessed a certain cachet in soul, funk, R&B, pop and rock circles, but it never fully took hold in jazz until now. Pianist Herbie Hancock had some fun with Mayfield's “Future Shock" on the decades-old album of the same name (Columbia 1983), while other jazz musicians may have occasionally taken a ...
International Jazz Day Album Guide
Steve Holtje, editor of MusicHound Jazz: The Essential Album Guide (Visible Ink), has written a 50-album guide covering the development from jazz, ranging from Louis Armstrong to Matthew Shipp, for CultureCatch.com. He writes: “Monday, April 30, is International Jazz Day, proclaimed by UNESCO goodwill ambassador Herbie Hancock. There will be streaming concerts and much more on ...
Less Magnetic: Tricknology
by Daniel Lehner
By now, making a jazz fusion record is like making a genre homage film: without in-depth knowledge of the medium's history, a strong original intention and talented people involved, it's going to come off derivative and what's worse, extraordinarily cheesy. Fortunately, Less Magnetic, who can say they sport members from multiple backgrounds like metal and Middle ...
Bobby Broom: Building a Legacy
by R.J. DeLuke
Guitarist Bobby Broom had a feel for music at a very young age. He was exposed first to clarinet and violin as a child, but they didn't have an impact on him. Eventually, an old guitar came through the household. It had four strings across an instrument with a small neck. “I didn't know ...
Westchester Jazz Orchestra: Maiden Voyage Suite
by Nicholas F. Mondello
Imagine a painter, sculptor or writer attempting to recreate a masterpiece done by a Picasso, Michelangelo or Shakespeare. The task redefines challenge and chutzpah. While jazz recreations are more common than those in other arts--Clark Terry and the Chicago Jazz Orchestra's marvelous revisit (Americana Music, 2004) of the Miles Davis/Gil Evans' Porgy and Bess (Columbia, 1958), ...
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