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110

Article: Album Review

Side A: A New Margin

Read "A New Margin" reviewed by Mark Corroto


It is quite rare to hear multi-reedist Ken Vandermark record or perform with a pianist, the reason being that, back in the day (the early 1990s), his brand of new Chicago jazz was presented much like the hardcore punk scene of the previous decade--out of the back of a van. Like Henry Rollins and Black Flag, ...

299

Article: Live Review

Ottawa Jazz Festival, Days 1-3: June 23-25, 2011

Read "Ottawa Jazz Festival, Days 1-3: June 23-25, 2011" reviewed by John Kelman


Days 1-3 | Days 4-6 TD Ottawa International Jazz Festival Ottawa, Canada June 23-25, 2011 2011 represents something of a gamble--and no shortage of controversy--for the TD Ottawa International Jazz Festival. After a financial loss in 2010 that wasn't especially large in relative terms, but was nevertheless significant, the ...

622

Article: Extended Analysis

Motif: Facienda

Read "Motif: Facienda" reviewed by John Kelman


Motif Facienda Jazzland Records 2010 Just because there's nearly a three-year gap between recordings, it doesn't mean an artist hasn't been busy. Norwegian free bop-meister Motif was last heard from in 2008, on the tradition-twisting Apo Calypso (Jazzland), closing yet another gap from the previous Expansion (AIM, 2005). Released in ...

302

Article: Album Review

Free Fall: Gray Scale

Read "Gray Scale" reviewed by Charles Walker


For years now, multi-reed instrumentalist Ken Vandermark has been a consistent, if idiosyncratic, devotee of the jazz canon. Musically coming of age in the internet era, however, his taste reflects the widespread availability of previously neglected recordings and the resulting reorientation of what exactly that canon includes. Explicit dedication of Vandermark 5 tracks to Curtis Counce ...

366

Article: Year in Review

John Sharpe’s Best Releases of 2010

Read "John Sharpe’s Best Releases of 2010" reviewed by John Sharpe


Here are ten new releases, in no particular order, which stood out among those I heard this year. Joe McPhee / Ingebrigt Håker FlatenBlue Chicago BluesNot TwoJoe McPhee and Ingebrigt Håker Flaten make a successful pairing as evidenced by interactions which evince a highly charged form and ...

273

Article: Album Review

The Vandermark 5 Special Edition: The Horse Jumps And The Ship Is Gone

Read "The Horse Jumps And The Ship Is Gone" reviewed by Mark Corroto


With the 16th official release by The Vandermark 5, composer/director/leader Ken Vandermark invites two guest musicians to share the stage. Norwegian pianist Håvard Wiik and Swedish trumpeter Magnus Broo are, however, no strangers to projects by the reedman and company. That familiarity yields this solid June, 2009 live date at Chicago's Green Mill.Broo, an ...

227

Article: Album Review

Vandermark 5 Special Edition: The Horse Jumps And The Ship Is Gone

Read "The Horse Jumps And The Ship Is Gone" reviewed by John Sharpe


In their early days, the Vandermark 5 gave founder and reed man Ken Vandermark, the opportunity to workshop and road test fresh ideas. His writing skills have now been honed to such an extent that he is one of the most consistently inventive small group composers around, and the V5 has become one of the great ...

155

Article: Album Review

Magnus Broo: Swedish Wood

Read "Swedish Wood" reviewed by Mark Corroto


Those partial to avant-garde musicians who swing will prefer trumpeter Magnus Broo's Swedish Wood over fans of neoconservatives that embrace freedom. Broo's melodic take on the two-bass (Torbjörn Zetterberg and Joe Williamson) and drummer (Håkon Mjåset Johansen) quartet finds him mostly playing the straight-man to his adventurist and sometime comedic band members. Fans of ...

359

Article: Live Review

Vandermark 5 and Atomic: Double Bill at the Vortex in London

Read "Vandermark 5 and Atomic: Double Bill at the Vortex in London" reviewed by John Sharpe


Vandermark 5 and AtomicThe VortexLondonSeptember 16, 2010It was difficult to avoid a frisson of pleasurable anticipation at the sight of the handwritten sign proclaiming “Totally sold out" taped onto the door of north London's Vortex Jazz Club. A feeling compounded by the presence of the BBC's mobile recording unit parked outside. ...

1,403

Article: Live Review

Norwegian Road Trip, Part 2: Kongsberg Jazz, July 9-10, 2010

Read "Norwegian Road Trip, Part 2: Kongsberg Jazz, July 9-10, 2010" reviewed by John Kelman


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and Molde ...


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