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Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Kenny Barron and Ron Carter Awarded for Lifetime Contributions to Jazz
The DC Jazz Festival (DCJF) will present its annual Lifetime Achievement Award to two of the world’s most renowned jazz artists, Kenny Barron and Ron Carter, at its 8th annual Festival, held June 1-10. Each year the DCJF honors jazz greats for their indelible lifetime contributions to jazz and humanity. Past awardees include Jimmy Heath, Eddie ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Eddie Gomez: Per Sempre
by Dan Bilawsky
Bassist Eddie Gomez has never received the attention he deserves as a leader. While that's largely due to the fact that he spends so much time making other people sound better, the reason isn't important; it's an injustice, regardless of the cause. His pliant and flexible bass has been the binding agent and rhythmic-melodic-harmonic go-between responsible ...
England Swings Like A Pendulum Do
by Skip Heller
Several years ago, when the Skip Heller Trio was touring all the time, I came across a disc called London Is The Place For Me: Trinidadian Calypso In London, 1950-1956 (Honest Jons, 2002), a collection of calyspo music recorded in London. The music and accompanying thick booklet were full of revelations: the history of postwar migration ...
Dan Cray: Meridies
by C. Michael Bailey
There is nothing iconoclastic about pianist Dan Cray. He derives his piano style more from Tommy Flanagan and Hank Jones than Matthew Shipp or Ran Blake. He has been driving a trio through four previous recordings: Who Cares (Cray Sounds, 2001); No One (Blujazz productions, 2003); Save Us! (Blujazz productions, 2005); and Over Here Over Heard ...
Take Five With Skip Heller
by AAJ Staff
Meet Skip Heller: Grew up in Philly, enticed by all kinds of improvised music--jazz, bluegrass, blues, rockabilly. Played with Yma Sumac, Phil Alvin, Les Baxter, Wanda Jackson, DJ Bonbrake, Cannibal and the Headhunters, NRBQ, Karen Mantler... get the idea?Instrument(s): Guitar.Teachers and/or influences? Mose Allison, Willie Nelson, ...
Ehud Asherie with Harry Allen: Upper West Side
by Raul d'Gama Rose
Upper West Side is as fine a duet album as has been made by a pianist with another instrumentalist. This declaration may very possibly include the albums made by Hank Jones with Tommy Flanagan and Oscar Peterson with Dizzy Gillespie. It is a credit to pianist Ehud Asherie that he made this album at such a ...
Peter Appleyard And The Jazz Giants: The Lost 1974 Sessions
by Hrayr Attarian
A gem of a discovery, vibraphonist Peter Appleyard's The Lost 1974 Sessions is an important record, both artistically and a historically. Appleyard assembled most of clarinetist Benny Goodman's group in RCA's Toronto studios for a one of a kind opportunity when band in town for a concert. He called the ad hoc band the Jazz Giants, ...
Impulse! Records Introduces Newest Batch in 2-on-1 Series from Legendary Impulse! Artists
Impulse!/Universal Music Enterprises (UMe) recently introduced the second batch of its 2-On-1 series. Each CD features two classic albums from some of Impulse! Records' legendary jazz and blues artists. Included in this first batch are releases from Alice Coltrane, Blue Mitchell, Charles Mingus, Chico Hamilton, Clark Terry, Freddie Hubbard, Howard Roberts, John Handy, Keith Jarrett, Marion ...
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