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Joe Lovano Quartet: Classic! Live at Newport
by Angelo Leonardi
Il quartetto che Joe Lovano guidò con Hank Jones, George Mraz e Paul Motian è stato uno dei combo più avvincenti del suo decennio, documentato in due dischi ampiamente celebrati: I'm All for You (Blue Note, 2004) e Joyous Encounter (Blue Note, 2005). Alla fine di luglio, la storica etichetta ha pubblicato la registrazione ...
Jazz Musician of the Day: Hank Jones
All About Jazz is celebrating Hank Jones' birthday today! The oldest of the three Jones brothers (Hank, Thad and Elvin), Henry Hank" Jones was born in Vicksburg, Mississippi and grew up in Pontiac, Michigan, where he studied piano at an early age and came under the influence of Earl Hines, Fats Waller, Teddy Wilson and Art ...
Joe Lovano Quartet: Classic! Live at Newport
by Dan Bilawsky
It's safe to say that many years from now, when the critics and historians have the benefit of distance to help focus their thoughts, many if not most will continue to hail much of saxophonist Joe Lovano's presently-admired body of work on the Blue Note imprint. But what will stand tallest in said discography? Some may ...
NEC Faculty Member Dave Holland Receives 2017 NEA Jazz Masters Award
Renowned Jazz Bassist Dave Holland Earns Nation’s Highest Honor in Jazz: 2017 NEA Jazz Masters Award Holland is an NEC Visiting Artist-in-Residence NEC visiting artist-in-residence, renowned jazz bassist/composer and bandleader Dave Holland has earned the nation’s highest honor in jazz: a 2017 NEA Jazz Masters Award. Holland is one of five individuals recognized for their lifetime ...
Luis Perdomo: Montage
by Mark Corroto
The highest praise you can give to a recording by a solo performer is that the music was made just for your ears. Pianist Luis Perdomo's Montage gives just that impression. It's easy to imagine these fifteen tracks were played in your living room, or automobile, for that matter. After releasing seven discs as ...
Paul Chambers: Bass on Top – 1957
by Marc Davis
In the world of 1950s hard bop, there is no more prominent bassist than Paul Chambers. The man was absolutely everywhere. He shows up on an astonishing number of jazz classics, including Miles Davis' Kind of Blue, John Coltrane's Giant Steps, Thelonious Monk's Brilliant Corners, Sonny Rollins' Tenor Madness and Oliver Nelson's The Blues ...
Cannonball Adderley: Somethin' Else – 1958
by Marc Davis
Is there anything new to say about a jazz classic that features one of the greatest two-horn tandems ever to lay down a blue note? How about this: You must own this record. Period. I suspect that everyone with even a passing interest in jazz owns Miles Davis' Kind of Blue, the best-selling jazz ...
Lucian Ban: Songs From Afar
by Budd Kopman
It is a truism that musical art, in whatever genre, entails much more than just the technical, either physical or theoretical. True art also has that ineffable something, which could be described as the soul of the performer touching the soul of the listener. The performer brings everything (including, of course, the extra-musical) he or she ...
Nicholas Payton Balances Studio Work As Bandleader, Producer; "Textures," His 5th Album On Paytone Records, Set For Spring Release
Grammy award-winning Nicholas Payton—one of the era’s definitive artists—has been quite busy this winter blowing with the all-star Monterey Jazz Festival on a nationwide tour, putting the finishing touches on Textures, his fifth release for his very own label, Payton Records, as well as producing and arranging Jane Monheit’s latest project, The Songbook Sessions: Ella Fitzgerald. ...
Thad Jones-Mel Lewis Orchestra: All My Yesterdays
by Angelo Leonardi
La Resonance Records ha appena pubblicato (in un lussuoso cofanetto di due CD più un libro di 92 pagine), le primissime incisioni della Thad Jones-Mel Lewis Orchestra, riprese al Village Vanguard il 7 febbraio e il 21 marzo 1966. Sono trascorsi 50 anni dalla nascita della formazione e, agli inizi di febbraio, lo storico ...





