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Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

by Paul Rauch
It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...
Chuck Deardorf: Hanging On To The Groove

by Paul Rauch
Bassist Chuck Deardorf has gained a reputation for virtuosity and professionalism over a career that has thus far spanned 40 years. He has been the first call bassist in Seattle for most of his career, playing with some of the most renowned musicians in the history of jazz. For many years, despite having a prolific local ...
Various Artists: Innerpeace: Rare Spiritual Funk And Jazz Gems

by Chris May
It took a few years for producer Bob Shad's newly formed Mainstream Records to nail its direction in the 1960s. A less than auspicious start was releasing the first singles by the latter-day Trump-boosting halfwit Ted Nugent. A better move, given hindsight, was releasing the debut album by Janis Joplin's Big Brother & The Holding Company. ...
Origin Records: Creating Opportunities and Community

by Jakob Baekgaard
Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...
Freddie Hubbard: At Onkel Pӧ's Carnegie Hall

by Stefano Merighi
Se si dovesse per gioco indicare un trombettista della storia del jazz che sintetizzasse tecnica strumentale, flessibilità espressiva, capacità mimetiche in relazione al contesto e ricchezza di curriculum forse la scelta cadrebbe su Freddie Hubbard. Il suo aplomb di giocatore era mirabile, valgano per tutte le sue apparizioni a fianco di John Coltrane, in Out to ...
Dawn Clement: Here In The Moment

by Paul Rauch
Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she ...
D'Vonne Lewis' Limited Edition: Unlimited

by Paul Rauch
The debut album from D'Vonne Lewis' Limited Edition, Unlimited, presents a challenge for this writer, as well as listeners who have engaged its members in live performance, or playing in other ensembles. Live, they are a virtual powerhouse, allowing the stellar cast of musicians to fully immerse themselves both instrumentally, and compositionally. On this studio recording, ...
Rick Mandyck: The Return From Now

by Paul Rauch
It was a cold Tuesday evening the last week of December. 2016 was mercifully coming to a close, this evening, a final chorus of a long blues blown soulfully, and mournfully into the night. I sat at the bar at Seattle's storied jazz spot, Tula's, in eager anticipation of the evening's performance of a quartet led ...
D'Vonne Lewis: It's About the Love

by Paul Rauch
On the Seattle jazz scene, no musician is more visible than drummer D'Vonne Lewis. Whether he is touring and playing with his band Industrial Revelation, leading his flexible and innovative combo, D'Vonne Lewis Limited Edition, or playing as a sideman on multiple projects around town, Lewis brings to the bandstand a remarkable versatility, and musical identity ...
Freddie Hubbard: Pinnacle

by Larry Taylor
Trumpet great Freddie Hubbard, who died in 2008 at age 70, was at his peak in 1980 when Pinnacle was taped. He had recorded with greats, from Wes Montgomery and Art Blakey to John Coltrane, Sonny Rollins, and Oscar Peterson, and led many groups of his own. In his prime, from the sixties ...