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115

News: Education

Tanglewood Jazz Festival Presents NEA Jazz Master Jimmy Cobb in Master Class for Drummers

Tanglewood Jazz Festival Presents NEA Jazz Master Jimmy Cobb in Master Class for Drummers

LENOX, Mass.—NEA Jazz Master Jimmy Cobb will present a Master Class for Drummers on Sunday, September 4, at the Tanglewood Jazz Festival. The master class —which is free to drum students of all ages— will begin at 12:30pm in the Jazz Café Tent, on September 4, closing day of the 3-day festival. Jimmy Cobb is the ...

249

Article: Live Review

16th Litchfield Jazz Festival: Kent, CT, August 5-7, 2011

Read "16th Litchfield Jazz Festival: Kent, CT, August 5-7, 2011" reviewed by Sandy Ingham


Litchfield Jazz Festival Kent, CT August 5-7, 2011 “I like to save the best for last," saxophonist Jimmy Heath told the crowd near the end of his big band's grand finale set at the Litchfield Jazz Festival on Sunday, Aug. 7, 2011. It was a successful strategy, not only for Heath's ...

206

Article: Extended Analysis

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Read "Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64" reviewed by Eugene Holley, Jr.


The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...

418

Article: Extended Analysis

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Read "Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64" reviewed by John Kelman


The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...

250

Article: Album Review

Samuel Blaser: Consort in Motion

Read "Consort in Motion" reviewed by Troy Collins


Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory ...

509

Article: Interview

Jeff Lofton: Jazz to the People

Read "Jeff Lofton: Jazz to the People" reviewed by Josep Pedro


Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...

124

Article: Extended Analysis

James Carter: Caribbean Rhapsody

Read "James Carter: Caribbean Rhapsody" reviewed by C. Michael Bailey


James CarterCaribbean RhapsodyEmarcy2011 Multi-reedist James Carter is both a student and master of all things saxophone. He is a keeper of the jazz flame much in the same way trumpeter Wynton Marsalis is, without Marsalis' conservative inclinations. Carter has been inventive in his projects, two of which ...

121

News: Radio

San Antonio Swing Reborn on Riverwalk Jazz This Week

San Antonio Swing Reborn on Riverwalk Jazz This Week

This week, Riverwalk Jazz revisits San Antonio's hot spots and revives hot dance music of the city's historic East Side in the 1930s. The Jim Cullum Jazz Band expands to a 12- piece orchestra, performing new arrangements of rarely heard Swing Era compositions from the Don Albert Orchestra and Boots and His Buddies. The weekly jazz ...

219

Article: Album Review

Delfeayo Marsalis: Sweet Thunder

Read "Sweet Thunder" reviewed by Raul d'Gama Rose


Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...

153

Article: New York Beat

February Forays

Read "February Forays" reviewed by Nick Catalano


February is one of those months when this New York Beat column could expand into a full periodical because of the plethora of jazz activity occurring in Gotham. I began my trek early in the month, when the city was buried in crystal mounds of snow from winter storms that had pounded the ...


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