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Aaron Parks: Little Big
by Mike Jurkovic
Pianist/composer Aaron Parks' recording career began when, at the impressionable age of eighteen, he signed on with Terrence Blanchard and recorded several noted albums with the trumpeter, most notably the soundtrack to Spike Lee's Invisible Man and Blanchard's own, Grammy winning A Tale of God's Will (Requiem for Katrina (Blue Note, 2007). In the creative interim ...
Aaron Parks: Little Big
by Glenn Astarita
The press release for highly praised keyboard/composer Aaron Parks's (Kurt Rosenwinke, Terence Blanchard) latest album states: “after experimenting with various lineups and sessions, Parks landed on three musicians ideally suited for this atmospheric, genre-bending new work." And after listening to this inspiring session it's easy to discern why Parks needed time and a bit of prudence ...
Jerome Sabbagh and Greg Tuohey: No Filter
by Peter J. Hoetjes
So much regard is given to audio quality in the 21st century that there has become something of an obsession with “purity." A desire for music that has no digital manipulation, no computers layering sounds together. As co-band leaders, Jerome Sabbagh and Greg Tuohey resolved to attain this quality on No Filter by recording the album ...
Art Ensemble of Chicago, Federica Michisanti and other great new releases
by Ludovico Granvassu
Sometime ago everybody kept saying that the CD was dead. Judging by the growing number of new records that keep coming out at an increasing pace, the CD is still alive and kicking! Intrestgingly, as the number of new jazz albums continues to grow, this has not been at the expense of the average quality of ...
Never Alone: Reflections on the 2018 Winter Jazzfest
by Tyran Grillo
Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...
