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Petros Klampanis Blends the Colors of Emotion and Experience into a Rich Portrait of Humanity on his first Large Ensemble Album, "Chroma"

Motéma Music Debut, out now, features the Bassist/Composer’s Gifted Jazz Quintet (Gilad Hekselman, Shai Maestro, John Hadfield, Keita Ogawa) with a Vivid String Section Recorded in association with The Onassis Foundation USA Bassist/composer Petros Klampanis has absorbed a vibrant palette of colors over the course of a varied musical life journey, including Mediterranean and Balkan folk ...
Ben Markley Big Band--Downbeat Editors' Pick & 4.5 Star Review All About Jazz--at Dazzle Jazz in Denver on March 25

Ben Markley Big Band Clockwise: The Music of Cedar Walton featuring Terell Stafford Radio Interviews, National Airplay Confirm Your Interview Today! Ben has found a way to embrace the music of Cedar Walton and transform it into stellar big band arrangements that express his voice, sound and musical genius."—Terell Stafford Upcoming Performances March 24: University of ...
Steve Khan: Backlog

by James Nadal
In what could best be described as an enduring exploration, Steve Khan has undertaken the role of expanding and redefining the role of the guitar in the hybrid genre of Latin Jazz. Backlog continues with the concept established as far back as 2005 on The Green Field (Tone Center), in the transformation of straight-ahead jazz compositions ...
Steve Khan: Backlog

by Mark F. Turner
Steve Khan's love affair with Latin music germinated in the 1980's with his stellar Eyewitness recordings and continued to develop in a number of releases including 2011's Parting Shot and 2014's Subtext both on Tone Center Records. Backlog is third in this series and represents some of the esteemed jazz guitarist's finest work to date.
Ben Markley Big Band - "Clockwise: The Music Of Cedar Walton" Featuring Terell Stafford - Release Date: February 17

Pianist Ben Markley, along with special guest trumpeter Terell Stafford, celebrates one of the more influential and beloved figures in jazz through this unique project, showcasing many of the late pianist and composer Cedar Walton's most revered tunes through new arrangements for big band. Performing iconic compositions such as Hindsight," Bolivia," and Holy Land," Markley brings ...
Marcos Varela: San Ygnacio

by Luigi Sforza
Possente il suono, profonda e incisiva la cavata, decisa e vistosamente virtuosa la tecnica del giovane contrabbassista, compositore, arrangiatore e produttore Marcos Varela che in San Ygnacio mette in mostra le sue spiccate qualità strumentali scegliendo di declinare il suo talento all'interno di una langue esplicitamente post bop. In assoluta coincidenza con il credo estetico del ...
Steve Lehman: Sélébéyone

by Luca Canini
Due sarebbero i modi più appropriati e coscienziosi di iniziare questa recensione. Il primo: una rapida carrellata sui precedenti tentativi di contaminazione tra jazz e hip hop (entrambi i generi intesi nel senso più ampio e inclusivo possibile). Da Steve Coleman e Greg Osby alle lucide visioni di Mike Ladd e Vijay Iyer, dal Miles Davis ...
Massimo Discepoli/Daniel Barbiero: An Eclipse Of Images

by Mark Corroto
For the jazz listener, operating outside the canon can be a daunting experience. Once you dig 4/4 time, syncopation, swing, cool jazz and hard bop, it is difficult to appreciate other genres. Pop is formulaic and overproduced, and classical, too rigid. Electronics, fahgettaboudit. Machines cannot replace the human capability for improvisation. True, but what if there ...
Yuhan Su: A Room of One's Own

by Ian Patterson
Continuity and progress are the watchwords for A Room of One's Own (Inner Circle Music, 2015), Yuhan Su's follow-up to Flying Alone (Inner Circle Music, 2013), her impressive debut for Greg Osby's label. New York-based Taiwanese vibraphonist Su's debut announced a melodic composer of nuance and sensitivity and a soloist of some style. A Room of ...
Eric Revis Trio: Crowded Solitudes

by John Sharpe
In following his own star, bassist Eric Revis continues to explore terrain further off the charts than erstwhile employers Branford Marsalis, Steve Coleman and Kurt Rosenwinkel. For the sequel to the acclaimed City of Asylum (Clean Feed, 2013), Revis retains Kris Davis on piano but replaces Andrew Cyrille with Gerald Cleaver in the drum chair. Revis ...