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158

Article: Album Review

Matt Panayides: Tapestries of Song

Read "Tapestries of Song" reviewed by Jack Huntley


In the era of frenetic fretboard technique, the art of developing a patient groove sometimes seems lost in the shuffle, but Matt Panyides skillfully cultivates that very asset on Tapestries of Song. This is not to suggest that Panyides' music lacks for technical aptitude, as his guitar playing displays nothing but virtuosity. Specifically, Panyides' playing has ...

235

Article: Extended Analysis

Gene Ludwig: Love Notes Of Cole Porter

Read "Gene Ludwig: Love Notes Of Cole Porter" reviewed by Justin Vargo


Gene LudwigLove Notes Of Cole PorterBig O Records2011 Nearly two years prior to his untimely death in July of 2010, Pittsburgh organist Gene Ludwig recorded this tribute to composer Cole Porter. Thanks to the efforts of Ludwig's wife and the folks at Big O Records, Ludwig's final ...

828

Article: Live Review

Thailand International Jazz Conference, January 28-30, 2011

Read "Thailand International Jazz Conference, January 28-30, 2011" reviewed by Ian Patterson


Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...

257

Article: Album Review

Dave Specter: Spectified

Read "Spectified" reviewed by Nic Jones


Guitarist Dave Specter knows his blues and he has a track record to prove it. This set is, however, more reflective of the extent of his musical knowledge and appreciation for different forms. It's also a rare example of an instrumental set which loses nothing with repeated listens--and its ability to put a smile on the ...

Album

Grant Green

Label: Blue Note
Released: 2010
Track listing: I Want To Hold Your Hand; Idle Moments; Little Girl Blue; Love Walked In; Mambo Inn; Round About Midnight; The Surrey With The Fringe On Top; You Dont Know What Love Is; Matador;

139

Article: Take Five With...

Take Five With Chris Bell

Read "Take Five With Chris Bell" reviewed by AAJ Staff


Meet Chris Bell:Guitarist, performer, educator, based in Austin, Texas.Instrument(s):Guitar.Teachers and/or influences? Richie Hart, Grant Green, Wes Montgomery, B.B. King.Your sound and approach to music: I'm far more interested in playing jazz on the guitar than I am in playing jazz guitar.Your teaching approach: I'm ...

118

Article: Album Review

Jordan Young Group: The Jordan Young Group

Read "The Jordan Young Group" reviewed by David Rickert


Organ albums have always been the comfort food of jazz. Buying one of the classics from the fifties and sixties, the line-up is almost certain (guitar and/or sax, drums, never a bass), and a bunch of songs that would satisfy some primal need for deep, funky grooves. However, this predictability ensured that a lot of them ...

50

News: Recording

Grant Green - Retrospective (Blue Note, 2002)

Grant Green - Retrospective (Blue Note, 2002)

Guitarist Grant Green was a workhorse for Blue Note records during a couple of tenures on the label. Introduced to the Blue Note scene through Lou Donaldson, Green quickly became a valued sideman and leader on many records, according to Wikipedia, From 1961 to 1965, he made more appearances on Blue Note albums, as leader or ...

613

Article: Interview

Sandro Albert: A Bard’s Journey

Read "Sandro Albert: A Bard’s Journey" reviewed by Raul d'Gama Rose


His voice is soft and as lyrical as the music he composes and plays. Hearing the young and immensely talented guitarist, Sandro Albert speak can calm even the most frayed nerves. Nervousness was never an issue, but it is always exciting to speak with an accomplished musician. Albert is certainly one. He was born in Brazil ...

176

Article: Album Review

Ehud Asherie: Organic

Read "Organic" reviewed by Dan Bilawsky


Contrary to what some might believe, the designation of a musician as an organist or pianist does not have to be mutually exclusive. While some players choose to focus all of their time and energy on one of these instruments, many others prefer to branch out and try their hand at both. Fats Waller wasn't afraid ...


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