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Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...
Grant Green: The Complete Quartets with Sonny Clark – 1961-62
by Marc Davis
Imagine if someone discovered a stash of unreleased Beatles records 15 years after they broke up. Then imagine Apple Records released all that music in a 2-CD set. That's what Grant Green: The Complete Quartets with Sonny Clark is like. I exaggerate, but not by much. Grant Green wasn't the Beatles of ...
Jeff Parker: Reinventing Tradition
by Jakob Baekgaard
Is there such a thing as a Chicago sound? Back in the year 2000, a compilation was released that tried to portray a new and exciting musical scene. The album was called Chicago 2018... It's Gonna Change and it highlighted a brilliant mixture of free jazz, electronica, post-rock, art pop and experimental folk music. Of the ...
Meet Don Shire
by Tessa Souter and Andrea Wolper
Don Shire's club-hopping habit started in Pittsburgh, but his introduction to the capital of jazz was a 1971 Freddie Hubbard gig at New York jazz institution, the Village Vanguard. And he's still going strong 45 years later. One concert particularly stands out. “When it was over, the people just looked at each other. The feeling was, ...
U.S. Jazz From Denmark: Six Recent SteepleChase Releases
by David A. Orthmann
The opportunity to listen to six recently released discs on the venerable SteepleChase label (and the SteepleChase LookOut branch) is a little like reading an anthology of short stories by distinguished authors from a particular year or period. You get a hearty helping of vital, mature voices, most of whom operate somewhere in the jazz mainstream, ...
Miles Davis: In Time, All Changes
by Mark Werlin
Considered the most influential small jazz group of the middle 1960s, the Miles Davis “Second Great Quintet" has often been imitated but never equaled. Critical consensus holds that the revival of jazz in the 1980s was inspired by the six albums the Quintet recorded from 1965-1968. But a set of particular cultural and personal dynamics shaped ...
Guitarist Kevin Golden Releases Debut CD "Pelham Parkway"
Jazz guitarist, Kevin Golden releases his debut CD Pelham Parkway. This marks Golden's first recording as a leader, and features seven original tunes penned by him paying homage to the legendary organ trio sounds of Grant Green, Kenny Burrell, and Wes Montgomery. Kevin Golden is on guitar, along with Akiko Tsuruga on organ, and Peter Grant ...
Little Charlie and Organ Grinder Swing: Skronky Tonk
by James Nadal
The organist/guitarist combination was popularized by the legendary Jimmy Smith in 1957. Grant Green and Larry Young took it a step further in 1964, but Smith and Wes Montgomery on their 1966 “Dynamic Duo," album, arguably defined the format. Smith also catapulted the jazz organ trio into another dimension, and set the standard for that ensemble ...
Grant Green: Hold Your Hand
Why did guitarist Grant Green record an album for Blue Note in March 1965 entitled I Want to Hold Your Hand? At first blush, it would seem that Alfred Lion was hoping to cash in on Beatlemania. And he was. But there's more to the story. If you listen carefully to the album, which was released ...
Horace Parlan: Up and Down – 1961
by Marc Davis
I have a new hero: Pianist Horace Parlan. Until recently, I had heard of Parlan, but never really heard him. I certainly never knew his back story. It's inspirational--and his music is pretty damn good, too. Parlan had a handicap. As a child, he lost some function in his right hand due to polio. ...
