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Documentary: Grant Green
At his peak in the early 1960s, Grant Green was one of the most soulful, swinging jazz guitarists recording. Unfortunately, many of his albums weren't released until after his death in 1979. The business reasoning remains puzzling but the decision by Blue Note clearly had nothing to do with his playing. Green appeared on many albums ...
Innervisions, Improvisations and Other Jazz Fevers
by Chris M. Slawecki
Lili Añel Better Days Winding Way Records 2019 Singer-songwriter Lili Añel and Better Days sound cut straight out of the northeast US. It's more than the geographic location of Añel's birth (Spanish Harlem, “El Barrio," in New York) or raised (South Bronx), and it's more than ...
Field Trip To The Vault!
by Marc Cohn
After a dose of 21st century music from Dave Allen, Pat Metheny and Aziza, we continue to celebrate the life of Sonny Rollins with tracks from his last session for Prestige in 1956. Then it's deep into the vault for two 78rpm recreations from Charlie Parker (on tenor) with Miles & Erroll Garner's trio from the ...
Jocelyn Gould: Elegant Traveler
by Dan McClenaghan
Guitarist Jocelyn Gould opens her debut album, Elegant Wanderer, with a cooker: Cole Porter's “It's All Right With Me." The tune is artfully arranged for quartet—piano and guitar with bass and drums—and Gould displays some serious chops. She has soaked up the influences of Wes Montgomery, Grant Green, Kenny Burrell and Joe Pass, and she wears ...
The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)
by Russell Perry
Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s ...
How to Play a Tin Whistle Like Michael Brecker
by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."
Idle Hands: Solid Moments
by Dan Bilawsky
Producer and Posi-Tone co-head Marc Free wears a lot of hats, including those of curator and cooperative chemist. Since 2018, Free has been piecing together various outfits and concepts, tipping his hat to touchstones, adding new slants to his label's rich catalog and engaging in outreach and audience development in the process. Not content to simply ...
Another Edition of Listeners’ Favorites!
by Marc Cohn
Listeners' favorites from Gifts and Messages shows 401-410. 'We play the hits!.' See if yours made it to the top of the chart. Enjoy. (That would be a VERY young DrJ in the photo) Playlist Mose Allison “I'm Not Talking" from The Word from Mose (Atlantic) 00:00 Mike LeDonne “From The Heart" from From ...
Dave Stryker: Guitars, Organs & Eight-Tracks
by Mark Sullivan
Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...
Results for pages tagged "Grant Green"...
Grant Green
Born:
Green was born on June 6, 1931 in St. Louis, Missouri. Hefirst performed in a professional setting at the age of 13.His early influences were Charlie Christian and CharlieParker; however, he played extensive R & B gigs in hishome town and in East Saint Louis, IL while developing hisjazz chops. His first recordings in St. Louis were with tenorsaxophonist Jimmy Forrest for the Delmark label. LouDonaldson discovered green playing in a bar in St. Louis.After touring together with Donaldson, Green arrived in NewYork around 1959-60. In a Down Beat interview fromthe early 60's, Green said "The first thing I learned to playwas boogie-woogie. Then I had to do a lot of rock and roll.It's all blues, anyhow."
