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Niacin: Krush
by Glenn Astarita
After a lengthy hiatus, the high-impact progressive rock and jazz-fusion trio fires back with its 6th studio album. The respective musicians' demanding schedules as first-call session aces and ongoing affiliations with other bands, both in and out of the studio, spans multiple jazz and rock related genres. Here, the trio's vigorous turbo-powered gait remains intact, along ...
Steve Hunter: The Manhattan Blues Project
by Glenn Astarita
Millions have heard Steve Hunter's guitar work without realizing it. For decades he's been a first-call session luminary, performing and recording with Peter Gabriel, Lou Reed, Aerosmith, Jack Bruce and scores of other notables. But he's also a solo artist and highly revered for his prowess as a guitarist who is adept and comfortable in numerous ...
Bryn Roberts: Fables
by Glenn Astarita
Born in Canada, pianist Bryn Roberts has enjoyed a prolific career as a session artist since moving to New York City in 2001. Snuggled within a modern mainstream vibe, his persuasive compositions pay homage to melodic content, often complemented by saxophonist Seamus Blake's burly delivery and fluid lines. Nonetheless, many of these works contain quite a ...
Christy Doran's New Bag: Mesmerized
by Glenn Astarita
Celebrated Swiss guitarist Christy Doran assets pertain to his indefatigable creative sparks, evidenced by his work in jazz-rock, avant-garde jazz improvisation or when tackling world music. And from a fundamental shedding perspective, he could hold his own with most if not all of the present guitar heroes. New Bag was created in 1997, but ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass
by Glenn Astarita
The trio--launched in 1986--comprises three legendary maestros of progressive jazz and improvisation. Customarily, the band augments its line of attack with a guest pianist. Here, Jason Moran upholds the tradition and plays an integral role, augmenting the core unit's reach into pieces fabricated with kaleidoscopic formations and variegated hues, spanning a myriad of seamlessly integrated jazz-related ...
Vandeweyer / Van Hove / Lovens / Blume: Quat Live At Hasselt
by Glenn Astarita
This live sound recorded at a Belgian venue vividly transfers to disc, augmenting the dual percussionist-backed quartet's investigative mechanics amid crashing cadenzas, moments of quietude, and multilayered formulations. Featuring eminent Belgian pianist Fred Van Hove and vibraphonist Els Vandeweyer on the front end, the improvisational format yields a democratic approach as the musicians generally operate from ...
Harris Eisenstadt: Golden State
by Glenn Astarita
Toronto-born drummer, composer Harris Eisenstadt is headquartered in the fertile artistic environs of New York City, and each new release divulges his thirst for ingenuity. He's emerged as an important voice within progressive jazz circles while gathering the crème de la crème of artists to help support his visions. Thus, Golden State is a polyrhythmic presentation ...
Barbacana: Barbacana
by Glenn Astarita
This Anglo-French quartet dishes out a profusion of surprises on each track. Youthful vigor and ingenuity are staples for these musicians who generate a multidimensional platform, with inferences from progressive rock, jazz-rock and avant-garde-like adventurism. The album represents another young band presented by UK-based Babel Records that teeters on the leading-edge of what could be considered ...
Joey Baron: Just Listen
by Glenn Astarita
Drummer Joey Baron and guitarist Bill Frisell have collaborated on and off for three decades, and both artists are firmly ensconced within the modern era's jazz transformation, spanning avant-garde, modern mainstream jazz, jazz-rock and so on. Frisell is a guitar hero, while Baron's far-reaching influence needs no elaboration here. This album denotes the output from a ...
Spontaneous Music Ensemble: New Surfacing 1978 & 1992
by Glenn Astarita
This album offers a snapshot of the post-1976 version of the legendary free-jazz improvisational unit, Spontaneous Music Ensemble's (SME) reign as a quartet. Two thirds of the material is derived from performances by the guitar-violin-percussion rendition, captured at a 1978 concert in Newcastle, England. It was previously released on Trio & Triangle (Emanem, 1978) but the ...
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