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Albare: The Road Ahead
by Glenn Astarita
Moroccan born guitarist Albere (Albert Dadon) emigrated to Australia at the age of 27 and blossomed into a celebrated jazz guitarist who also directs the Melbourne Jazz Festival amid other jazz-related endeavors. Here, he focuses on melodic textures via a breezy gait, employing a synth guitar and six-string electric while exhibiting an unhurried or building-block approach ...
Tom Dempsey: Saucy
by Glenn Astarita
Highly-regarded New York City session guitarist Tom Dempsey's sixth solo endeavor pays homage to the classic organ combo format, topped with a piquant sense of swing. Tuneful and capacious, the guitarist's dark- toned sound nicely parallels with organist Ron Oswanski's warm phrasings, synchronous progressions and sleek solos. Dempsey's Wes Montgomery-like chord solos and soul-jazz riffs are ...
Cacaw: Stellar Power
by Glenn Astarita
Cacaw evolved from an acoustic trio as a mechanism for keyboardist Landon Knoblock to merge his compositions with electronics, and a result of his affiliation with drummer Jeff Davis and saxophonist Oscar Noriega in a band that performed the music of jazz piano great, Andrew Hill. Time marches on, as Cacaw underscores its musicality with a ...
AVC: Busk
by Glenn Astarita
This production signifies yet another example of UK-based Babel Records' vast array of young or nascent talent spanning everything from ferocious, free-jazz experimentation to artists who bridge numerous jazz and unrelated genres into a cohesive entity. ACV is a group of stalwarts who respectively boast resumes of stints with exalted modern improvisers such as guitarist Fred ...
Nate Wooley - Peter Evans - Jim Black - Paul Lytton: Trumpet and Drums: Live in Ljubljana
by Glenn Astarita
Given the unorthodox instrumentation, there's a little more than meets the eyes and ears on this quartet effort recorded at a jazz festival in Ljubljana, Slovenia. Each musician is highly respected within the progressive and avant jazz communities. Yet the band doesn't bridge the playing field with tireless bashing and cacophonous exchanges, which are components that ...
Op Der Schmelz: Live
by Glenn Astarita
This multinational quartet casts a surfeit of moody and climactically oriented movements, captured for this disc live at a venue in Luxembourg. Gushing with shifty theme-building exercises, New York- based pianist Roberta Piket often serves as the director of operations via her sympathetic comping, cascading chord voicings, and animated free-bop improvisational passages, yet overall, it's a ...
The Wrong Object: After the Exhibition
by Glenn Astarita
Wrong Object is a Belgian band that has made significant inroads to accomplishing an exalted presence in the jazz-rock and progressive rock communities. The band's sound and strategy encompasses intermittent nods to the fabled British Canterbury progressive-rock scene with inferences to Frank Zappa and jazz-rock extrapolations akin to vintage Soft Machine. Toss in a few Albert ...
Gavin Templeton: In Series
by Glenn Astarita
Alto saxophonist Gavin Templeton has become a pivotal force in the L.A. progressive jazz scene and it's easily discernible, given his strong improvisational faculties, resonating tone, and penchant for bridging conventional means into the outside schema of the jazz vernacular. On his second solo release for Nine Winds Records, he embeds rock riffs, variable tempos, and ...
Ivo Perelman: One
by Glenn Astarita
Brazilian saxophonist Ivo Perelman's inaugural recording for this progressive UK-based record label includes frequent companion, bassist Joe Morris and Hungarian drummer Balazs Pandi (Merzbow, ZU). As for Pandi, he's contributed to several albums for this label and brings a hardcore progressive metal and avant-rock realm of experience to the forefront. Otherwise, the trio launches a largely ...
Samuel Blaser Consort in Motion: A Mirror to Machaut
by Glenn Astarita
Swiss trombonist Samuel Blaser's largely mellower and investigative Consort in Motion differs from his acclaimed quartet's often hard- hitting and somewhat deviously entertaining persona for the hatOLOGY record label, partly due to French guitarist Marc Ducret's electrifying assaults. Thus, A Mirror to Machaut sheds additional light on Blaser's approach to composition, that coincides with a band ...
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