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31

Article: Album Review

OM: Sudpol

Read "Sudpol" reviewed by Glenn Astarita


Formed in Lucerne in 1972 by saxophonist Urs Leimgruber, guitarist Christy Doran, bassist Bobby Burri, and drummer Fredy Studer, the original quartet fused the raw voltage of rock with the open architecture of free improvisation, arriving at a sound they eventually dubbed “ElectroAcoustiCore." Studer's death in 2022, weeks ahead of the release of the anniversary album ...

22

Article: Album Review

Gerry Hemingway with Izumi Kimura, Frank Gratkowski and Christian Weber: Live at Bau 4

Read "Live at Bau 4" reviewed by Glenn Astarita


Drummer and composer Gerry Hemingway has spent five decades proving that percussion can be as harmonically literate as any horn or keyboard. That reputation was forged during his decade with the Anthony Braxton Quartet and expanded through an expansive discography on labels including Auricle, Tzadik, Clean Feed, and Intakt. Now based in Switzerland, Hemingway continues to ...

35

Article: Album Review

Samuel Blaser Quartet: Rosina

Read "Rosina" reviewed by Glenn Astarita


Samuel Blaser has established himself as one of Europe's most compelling trombonists, a Swiss musician whose artistic identity has been shaped as much by formal study as by the Italian folk traditions that surrounded him in childhood. In recent years, he has spoken openly about reconnecting with those roots, particularly the songs his grandmother sang, simple ...

37

Article: Album Review

Anton Roolaart: The Ballad of General Jupiter

Read "The Ballad of General Jupiter" reviewed by Glenn Astarita


Dutch American multi-instrumentalist Anton Roolaart has inhabited the progressive rock world long enough to have earned his credentials, having spent more than a decade championing artists from Van der Graaf Generator to Camel through his streaming station, ProgRockRadio. His album The Plight of Lady Oona (Self-Produced, 2014) featured collaborations with Renaissance vocalist Annie Haslam and confirmed ...

49

Article: Album Review

Steven Bernstein: ResoNation Trio/Ultra Resonance

Read "ResoNation Trio/Ultra Resonance" reviewed by Glenn Astarita


Steven Bernstein has never been a musician content to remain in one room for long. The co-founder of Sexmob and architect of the Millennial Territory Orchestra has spent three decades proving that the trumpet is capable of almost anything, including, it seems, taking a vacation from the slide. ResoNation Trio marks a rare occasion where Bernstein ...

48

Article: Album Review

Allison Cameron & Scott Thomson: Platanus

Read "Platanus" reviewed by Glenn Astarita


Toronto composer, performer, and improviser Allison Cameron has carved out a distinctive niche in Canadian new music since the mid-1980s, her work marked by an instrumental kaleidoscope and gentle waywardness that tends to elude quick summary. Born in Edmonton and trained at the University of Victoria and York University, she settled in Toronto in 1989, eventually ...

42

Article: Album Review

GEORGE: Looking for Consonance

Read "Looking for Consonance" reviewed by Glenn Astarita


John Hollenbeck has spent much of the past three decades blurring the boundaries between jazz, chamber music and improvisation. A Grammy-nominated composer and bandleader known for his work with the Claudia Quintet and the John Hollenbeck Large Ensemble, he enters a new chapter with an electro-acoustic ensemble named after George Floyd. Its debut recording, Letters to ...

47

Article: Album Review

Victor Vieira–Branco's Bark Culture: The Giant Is Awkward

Read "The Giant Is Awkward" reviewed by Glenn Astarita


Vibraphonist and composer Victor Vieira-Branco has been quietly building something with Bark Culture since 2021, and the Philadelphia-based quartet is no longer content to keep it quiet. The Giant Is Awkward is the group's second album, expanding the core trio of Vieira-Branco, double bassist John Moran, and drummer Joey Sullivan with the addition of pianist and ...

50

Article: Album Review

David Occhipinti: Looking Glass

Read "Looking Glass" reviewed by Glenn Astarita


David Occhipinti delivers a compact yet richly textured statement with Looking Glass, a collection that runs approximately 35 minutes and registers more as a carefully curated EP than a conventional full-length album. The work centers on original compositions for electric guitar and string trio, drawing inspiration from Dadaist artists and the surreal narratives of Lewis Carroll. ...

48

Article: Album Review

Teiku: Klang

Read "Klang" reviewed by Glenn Astarita


Teiku is a Talmudic acronym that translates to “unanswered question," a concept the Chicago-Detroit quartet has adopted as a full artistic identity. Co-leaders Josh Harlow (piano) and Jonathan Barahal (percussion) formed the band after discovering a striking coincidence: Both grew up singing Passover melodies unique to their ancestral Ashkenazi-Ukrainian villages. Passed down by ear through generations ...


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