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Cecil Taylor: The Willisau Concert
by Glenn Astarita
It’s been quite a few years since I’ve listened to pianist Cecil Taylor’s classic solo performance Silent Tongues. However, with his latest solo endeavor, recorded live on September 3, 2000 at the Jazzfestival Willisau in Switzerland, the pianist has added yet another astounding entry into his already rich recorded legacy. The thrust of this ...
Frode Gjerstad - John Stevens - Derek Bailey: Hello Goodbye
by Glenn Astarita
Familiar notions of melody and structured rhythmic foundations are brushed aside throughout this splendid outing recorded to a DAT machine, two years prior to drummer John Stevens' untimely passing. Alto saxophonist Frode Gjerstad had apparently lost the tape, but he subsequently found it and cleaned it up. Fortunately, the music presented here is pristinely resurrected, much ...
James Emery/Joe Lovano/Judi Silvano/Drew Gress: Fourth World
by Glenn Astarita
The title of this newly issued recording might ordinarily imply notions of poverty and human rights, but in the liners, guitarist James Emery iterates that the Fourth World “is the world, or dimension, of vibration.” We are presented with four world-class musicians pursuing good vibes on this astutely constructed 2002 release. Joe Lovano ...
Gianluca Petrella: X-Ray
by Glenn Astarita
Twenty-six year old Italian trombonist Gianluca Petrella is not just the proverbial new kid on the block. Lately the artist has been touring with his estimable countryman, trumpeter Enrico Rava, yet here he leads his quartet through a series of upbeat and at times in-your-face modern jazz pieces. Along with support from the excellent British bassist ...
Mat Maneri - Pandelis Karayorgis: Disambiguation
by Glenn Astarita
This recently released outing might serve as a landmark for the new age of jazz! First off, we get to hear violinist Matt Maneri’s notorious microtonal excursions integrated into abstractly concocted Bop-style frameworks along with a few scant nods to Ornette Coleman. The co-leader of this date, pianist Pandelis Karayorgis, is no stranger to the realm ...
Francois Raulin Trio: Trois Plans Sur La Comete
by Glenn Astarita
From the opening moments of this recording, it becomes apparent that this trio’s mission statement blends homogenized elements of classical and chamber-jazz with astutely fabricated improvisational strategies. Here and throughout, saxophonist Francois Corneloup and pianist Francois Raulin engage in a series of briskly enacted unison choruses. Bassist Bruno Chevillon’s somber arco-bass patterns and meticulously crafted single ...
Scott Colley: Initial Wisdom
by Glenn Astarita
Since his arrival in New York City back in the late 1980’s, jazz bassist Scott Colley has risen thru the ranks in a rather expeditious fashion. As of early 2002, the artist has already appeared on over 100 albums, including sessions with saxophonists Joe Lovano & Greg Osby, pianist Andrew Hill, and many others of note. ...
Phosphor: Phosphor
by Glenn Astarita
This outing features a consortium of Berlin, Germany-based musicians who tend to explore the outer limits of abstraction via live electronics, acoustic instruments, and subversive dialogue. Less in your face than similar productions of this ilk, the instrumentalists create an air of suspense amid subdued moments and sparse frameworks. Andrea Neumann utilizes her stripped-down piano parts ...
Wayne Horvitz: Sweeter Than The Day
by Glenn Astarita
Whether indulging in free jazz, grunge style jazz-rock, or swinging mainstream jazz, keyboardist Wayne Horvitz is noted for his rather stylistic compositional faculties. The artist excels when churning out lushly seductive melodic phrases, as evidenced on his inaugural 2000 recording for the Songlines record label, American Bandstand (subsequently re-titled Forever ). With his ...
Scott Rosenberg's Red: Owe
by Glenn Astarita
Chicago-based saxophonist/composer Scott Rosenberg possesses the necessary goods to become a major force in the progressive jazz arena! The proof lies within the frameworks applied on this excellent outing. Rosenberg, performing on tenor sax throughout, grapples with the avant-garde in spots, yet conveys an intriguing compositional style which coincides with the artist's hot n’ spicy soloing ...


