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158

Article: Album Review

Mike Clinco: Neon

Read "Neon" reviewed by Glenn Astarita

by Glenn Astarita

As a first-call support artist, you must be an adaptable and, of course, knowledgeable player, possessing a broad musical vernacular. Guitarist Mike Clinco transmits these attributes on his 2009 release, featuring a top-flight ensemble of proven jazz veterans. It's easy to discern why Clinco has been summoned to perform with vocalists Bobby McFerrin and Natalie Cole ...

216

Article: Album Review

Tortoise: Beacons Of Ancestorship

Read "Beacons Of Ancestorship" reviewed by Glenn Astarita

by Glenn Astarita

Part of the Chicago-based Tortoise's appeal and loyal following is fabricated upon its many-sided musicality, where bits and pieces of retro psychedelia, Euro space-rock, pop overtones and Pink Floyd type walls-of-sound come to fruition. Through it all, and somehow or another, the band propagates a singular identity via probing fuzz-toned guitars, deep bass grooves, streaming synth ...

430

Article: Album Review

Fred Hersch: Plays Jobim

Read "Plays Jobim" reviewed by Glenn Astarita

by Glenn Astarita

Pianist Fred Hersch's influence and prominence in modern jazz speaks proverbial volumes, whether performing as an ensemble leader or as a solo performer, evidenced here on his renditions of Antonio Carlos Jobim's songbook. As might be anticipated, Hersch approaches the material from a deeply personalized perspective. He refrains from dishing out note-for-note readings by morphing variable ...

234

Article: Album Review

George Cartwright: Send Help

Read "Send Help" reviewed by Glenn Astarita

by Glenn Astarita

Saxophonist George Cartwright's prominence in the development of New York City's downtown scene, and lengthy affiliation with the cutting-edge progressive, jazz-rock unit Curlew, spawn an imprint of musical authenticity. Cartwright surges forward with this 2008, quartet-based effort recorded at The Cedar Cultural Center and The Walker Art Center's festival in Minneapolis, Minnesota, where the Mississippi-born artist ...

352

Article: Album Review

Ellery Eskelin with Andrea Parkins and Jim Black: One Great Night...Live

Read "One Great Night...Live" reviewed by Glenn Astarita

by Glenn Astarita

As of 2009, Ellery Eskelin and his band mates have been playing together for fifteen years with no let up in sight--good news for advocates of cutting-edge, progressive jazz and improvisation. Recorded live at Towson University in saxophonist Eskelin's home town of Baltimore, Maryland, the trio's multitasking ways come to fruition during this near flawlessly recorded ...

347

Article: Album Review

The Aurora Project: Shadow Border

Read "Shadow Border" reviewed by Glenn Astarita

by Glenn Astarita

The band members of The Aurora Project started playing as a jamband during the '90s in their native Holland. Shadow Border is the group's second album, following several years of performing at European progressive rock festivals. This studio outing provides a bit of credence to the musicians' extensive affiliations as an entity. With memorable hooks embedded ...

293

Article: Album Review

Arc: The Pursuit Of Happiness

Read "The Pursuit Of Happiness" reviewed by Glenn Astarita

by Glenn Astarita

This album's title justifiably parallels the trio's radiant synergy. With their third release as a unit, this 2009 outing signifies the artists' initial employment of live electronics--a component that has been gaining steam with improvisation-centric bands over the years. But like anything else, good taste and using effects as an instrument stand as the antithesis of ...

196

Article: Album Review

Copernicus: disappearance

Read "disappearance" reviewed by Glenn Astarita

by Glenn Astarita

New York-based performing poet Copernicus talks about sub-atomic particles such as quark gluon plasma, which pertains to the building blocks of matter, and issues centered on the possibilities of an atomic New Orleans. As the press release states, the artist generally improvises upon themes and motifs. Copernicus' artistry and discography spans several decades, with Disappearance effectively ...

144

Article: Album Review

Tom Abbs & Frequency Response: Lost + Found

Read "Lost + Found" reviewed by Glenn Astarita

by Glenn Astarita

Frequency Response's third outing is a study in diversity via a stylistic group sound that touches upon many genres. Cellist/tubaist Tom Abbs is the director of operations throughout a program that integrates chamber jazz, free jazz, and noise-shaping activities amid many other shades of Western song forms. The group abides by a structured approach ...

347

Article: Album Review

Anthony Braxton: Seven Compositions (Trio) 1989

Read "Seven Compositions (Trio) 1989" reviewed by Glenn Astarita

by Glenn Astarita

Multi-reed artist and modern visionary, Anthony Braxton's output for the Swiss record label symbolizes his influential methodologies while residing as some of his finest work ever. This reissue of the 1990 Hat Hut Records release is a tour de force featuring British free-jazz drummer Tony Oxley's distinct mode of attack and Austrian bassist Adelhard Roidinger. The ...


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