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280

Article: Album Review

Miriodor: Avanti!

Read "Avanti!" reviewed by Glenn Astarita

by Glenn Astarita

The seventh release from this French-Canadian band that boasts a thirty-year union, offers more musical wizardry and unanticipated surprises interspersed throughout these seven vibrant works. The core quartet is augmented by a horn section on select tracks. Here, multilayered dream sequences engage polyrhythmic and complex theme-building exercise that aim to taunt a willingly receptive mind's eye.

390

Article: Album Review

Vyacheslav Guyvoronsky / Andrei Kondakov / Vladimir Volkov: In Search Of A Standard

Read "In Search Of A Standard" reviewed by Glenn Astarita

by Glenn Astarita

The cleverness of improvisation plays an integral part of this Russian trio's compositions that merely reference jazz standards. The artists reconfigure and loosely interpret while injecting their personal insights. The program consists of thoroughly imaginative compositional vehicles, equating to a rather novel and prismatic string of musical iterations, spanning a wide spectrum of aspects. ...

486

Article: Album Review

Cecil Brooks III: Hot Dog

Read "Hot Dog" reviewed by Glenn Astarita

by Glenn Astarita

Cecil Brooks III frequently performs with this unit at his Cecil's Jazz Club & Restaurant in West Orange, New Jersey. The trio abides by a free-spirited, good-timey jazz gait, and is not concerned with reinventing the proverbial wheel. It's a good bet that the patrons got their monies' worth via these perky and tightly-woven spins on ...

623

Article: Album Review

The Hashem Assadullahi Quintet: Strange Neighbor

Read "Strange Neighbor" reviewed by Glenn Astarita

by Glenn Astarita

Oregon-based musician and educator Hashem Assadullahi introduces a wealth of attention-grabbing points of view into this quintet date, featuring eminent trumpeter Ron Miles. It's a democratic, group-focused modus operandi, spinning with variable harmonic and rhythmic underpinnings, where Assadullahi is more concerned with compositional depth and use of space. Still, the soloists receive ample breathing room to ...

473

Article: Album Review

Jim Black / Alas No Axis: Houseplant

Read "Houseplant" reviewed by Glenn Astarita

by Glenn Astarita

Stylistically, revered progressive-jazz drummer Jim Black's Houseplant might not signify a radical departure from his four previous albums for the Winter & Winter record label, spanning 2000-2006. However, Black's substantial imprint on jazz--and here, jazz-rock--offers a mark of distinction due to his quirky, and sly manner of filling in the blanks from behind the kit. And ...

223

Article: Album Review

The Remote Viewers: Sinister Heights

Read "Sinister Heights" reviewed by Glenn Astarita

by Glenn Astarita

Reedmen David Petts and Adrian Northover form the crux of The Remote Viewers, a band that gained notoriety via several albums for the largely avant-garde and progressive jazz-based Leo Records. But this double CD release marks the duo's third release as an Indie record label entity. Here, they employ several instrumentalists, including British free-jazz denizens, bassist ...

260

Article: Album Review

Eyal Maoz / Asaf Sirkis: Elementary Dialogues

Read "Elementary Dialogues" reviewed by Glenn Astarita

by Glenn Astarita

Tzadik recording artist/guitarist Eyal Maoz teams with U.K.-based drummer/leader of The Inner Noise, Asaf Sirkis. Here, the duo projects style, substance and gobs of variety on these sprightly duets for the avant-garde Swedish record label, Ayler Records. Elementary Dialogues is an album built on cunning improvisation, where the instrumentalists delve into laidback funk-rock, noise-shaping maneuvers and ...

392

Article: Album Review

Upsilon Acrux: Radian Futura

Read "Radian Futura" reviewed by Glenn Astarita

by Glenn Astarita

Radian Futura is this Southern California-based quintet's sixth album, and is steeped within multipart metrics, engineered upon an astonishing range of odd-metered time signatures. The band's explosive gait summons, at times, notions of a hyper-mode spin on the common man's vision of progressive-rock, amid guerrilla tactics and daring, rock-in-opposition type proclivities. Upsilon Acrux conveys ...

257

Article: Album Review

Julie Tippetts / Martin Archer: Ghosts Of Gold

Read "Ghosts Of Gold" reviewed by Glenn Astarita

by Glenn Astarita

British vocalist Julie Tippetts' teaming with eminent jazz-rock keyboardist Brian Auger dates back to the late 1960s, featuring her minor-classic covers of works by Bob Dylan and Donovan, among other little gems. Moving forward, she's become a prominent exponent of the European experimental circuit, largely enveloped within her homeland's free-jazz scene. With Ghosts Of Gold, she ...

356

Article: Album Review

Sainkho Namchylak / Dickson Dee: Tea Opera

Read "Tea Opera" reviewed by Glenn Astarita

by Glenn Astarita

Dickson Dee (Li Chin Sung) is an enterprising artist and businessman, responsible for opening up many doors via Independent label distribution and various production efforts for artists in China, Hong Kong and Taiwan. He's embedded his wares into a global setting, while also recording for John Zorn's Tzadik label on his 1996 solo debut, PAST. An ...


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